Friday, March 18, 2022

THE MAGNIFICENT MAYA CALENDAR SYSTEM AND HOW IT WORKS


Maya Calendar (historyonthenet.com)

"The deep time of the Maya calendar is stunning in its scale. . . It expressed the grandest expressions of time ever put down on stone or paper by human minds." David Stuart, archeologist and MacArthur Genius Grant recipient.  


THE CALENDARS

What if you thought of a calendar—or time—as a spiral, not a sheaf of papers that hang on a wall?

The Maya viewed time differently than we do today with the Gregorian calendar. The present was determined by the past. Everything repeated, everything was a recurring pattern. They only had to view the past to know what would happen in the future. Their intricate system of separate calendars was possibly used for predictions, say some archaeologists like Michael Coe, though others would disagree. It is widely thought that they borrowed the system from their Mesoamerican neighbors, the Olmec.

True Maya Calendar from Madrid Codex


Three calendars were a staple of every day Maya life. This triumvirate includes the Tzol'kin, or sacred round, which lasts 260 days; the Haab', which is a 360-day "solar"calendar to coordinate with the total number of days it takes the earth to rotate around the sun but with five 'days that had no name' at the end coming to 365; and the Long Count calendar, one of the most important cycles of Maya time, which lasts 5,125 years and which had been forecast to end on December 21, 2012.






COUNT OF DAYS


The 260-day Tzol'kin calendar is religious in its bearing. The count of days, as it is also known, was invented by pairing two smaller cycles—numbers one through thirteen—which equals the number of layers in Maya heaven, and the cycle of the twenty "day" names. The Tzol'kin is formed as a circle, not as a straight line.

"There is nothing quite like it, anywhere else in the world, " says archaeo-astronomer Anthony Aveni, author of The End of Time: The Maya Mystery of 2012. "The sacred Tzol'kin is the centerpiece of the Maya calendar system; it is the single most important chunk of time the Maya ever kept, and still keep, in remote areas.

"But why 260?" pondered Aveni. "Multiply numbers thirteen and twenty? Also the Venus cycle's appearance as morning or evening star is 263 days."

Aveni believes that 260 days came about as some enlightened daykeeper, eons ago, realized this particular number signified so much.


FOCAL HARMONY

"It was a focal harmony point. It brought together so many of nature's phenomena: the moon, Venus, planting cycles. It may not have come about in a flash," he continues, "but with Maya knowledge that number and nature are joined together perfectly, the discovery of the multiple significance of 260 was bound to be raised to prominence in Maya time consciousness. One even took their name and their fortune from the day name in the 260-day count calendar."






COMMUNING WITH THE GODS

Maya God Images (mayangods.com)

The Tzol'kin could have been used for making predictions, for communicating with the gods. The Maya believed a god ruled each day, and depending on that god's traits, it could be good or bad for certain activities. This calendar was used in the way one's horoscope would be viewed today.

The calendar is easy to remember and that's why it has been passed down and is still in use. It fits into the culture of the people, said Barbara Tedlock, anthropologist and author of Time and the Highland Maya.

The Haab' calendar, which works with the Tzol'kin, has 18 named "months" of 20 calendar days each. The Maya then added five days at the end of this 360-day cycle. It was considered a nineteenth month and these five odd days were considered unlucky but essential to bring a total of 365 days for a full rotation cycle.

Caracol Observatory at Chichen Itzá

CALENDAR ROUND

These two calendars, like cogs in a wheel, meshed a named day in the Tzol'kin and also had a conjunct day in the Haab'. But this same "double" day could never reproduce again for 52 years, roughly the length of a human life. This was called the calendar round, and the only annual time count possessed by the people of Mexico. There were 260 possible different combinations of number and name in this creation. A Maya Calendar Round date is actually two dates listed as a pair, with a separate reference point.

Night Star Gazing at Chichen Itza (by Chichenitza.com)

In this combined calendar round, slippage occurred because a year is actually 365.24 days which as mathematicians and stargazers extraordinaire they had computed, but this did not bother the Maya. Nor did they try to play catch up like we do with leap years. They just let time roll along.

"That would mean Christmas could back up to early fall or the Fourth of July might back up into the cold of winter for us," said Anthony Aveni. "It wasn't of concern to the Maya," he continued, "because they placed more emphasis on following an unbroken chain of time."


52-YEAR CYCLE

This 52-year cycle combination was celebrated throughout Mesoamerica. The Aztecs included it in their fire ceremony that was timed by sky events. At midnight, when the calendar keepers saw the Pleiades had passed the zenith, they knew the movements of the heavens hadn't stopped, the world had not ended, and they would have another 52 years. 

Third in the triumvirate of Maya calendars is the Long Count and although widely used in Mesoamerica, the Maya took it to its highest degree during the classic period. The Long Count consisted of 13 baktuns. One baktun is 400 years. The starting point of the Long Count calendar, according to early archeologist Eric Thompson, was August 11, 3114 BC. It was known as 4 Ahaw.


13TH BAKTUN

This date may have been chosen because it coincided with the completion of a cycle of successful crops, an August summer's day. If you flash forward 5,125 years you come to the cycle's end, and this is where the December 21, 2012 debate came in. It also ended the thirteenth baktun cycle, an auspicious time for the Maya or 13.0.0.0.0. as carved on Maya stela.

Oldest Known Maya Mural, San Bartolo, Guatemala (by sciencenews.com)


Aveni goes on to explain the Maya used this innovation in their calendar so royalty could create a dynastic narrative that covered vast stretches of elapsed time. It extended Maya culture all the way back to the creation of the gods, cementing the reputation of daykeepers and royalty as gods themselves.


DAYKEEPERS

The daykeepers act as go-betweens. "They are empowered to make prayers to the gods and ancestors on behalf of the lay people," Barbara Tedlock said.

Maya Scribe

He or she pays attention to each and every day, making offerings of copal incense and lighting candles; they also do dream interpretations. Through dreams and reading the day's influence, recommendations were then made for the best course of action and both were used to plot one's future. Barbara Tedlock, anthologist along with her husband Dennis, author, translator and anthrologist, were initiated as daykeepers in a Guatemala highlands pueblo where they lived from 1975 to 1979, a very unusual occurrence for those not of Maya descent. 

It's hard for the modern world to fathom why such a complex calendar system existed. Michael Coe, archeologist and author of The Maya (Editions one through eight), stated his belief of the why's and wherefores like this: "How such a period of time even came into being is an enigma, but the use to which it was put is clear: Every single day had its own omens and associations and the march of the twenty days acted like a fortune-telling machine guiding the destinies of all the Maya and the peoples of Mexico who used this calendar. It still survives in unchanged form among some indigenous peoples of southern Mexico and the Maya highlands, under the guard of the calendar priests."


Maya Stela of Ruler

With this calendar fashioned as a direct line to the cosmos, royalty and priests were able to govern and control the masses by predicting common events. Most likely with the aid of their calendars and the predictions derived from them, the Maya enjoyed 1500 years of relative stability. It was not until ninth century AD, the finale of the classic period of the Maya, that the Long Count was abandoned and not seen again on Maya stela. Times were changing. One wonders if the stars and calendars predicted that. And I would guess that yes, they did.


If you enjoyed this post, check out my other works, Where the Sky is Born: Living in the Land of the Maya. It's available on Amazon with tales of expat life and living within 100 miles of four major pyramid sites. Also, check out my website at www.jeaninekitchel.com. Books one and two in my Mexico cartel trilogy, Wheels Up—A Novel of Drugs, Cartels and Survival, and Tulum Takedown, are available on Amazon where you can find my overview of the 2012 Maya calendar phenomenon, Maya 2012 Revealed—Demystifying the Prophecy.*


*Excerpts of Chapter 6 from my book Maya 2012 Revealed—Demystifying the Prophecy were used in the post.





Friday, March 4, 2022

BUENOS AIRES SITS NEAR THE BOTTOM OF THE WORLD BUT THRIVES IN EVERY WAY

 

Tango Attire in Buenos Aires

LOVE LETTER TO BUENOS AIRES

Buenos Aires is a thriving, elegant city situated at the end of the world. It doesn't seem possible that this phenomenon of a metropolis exists on the outset of the North American time zone (five hours earlier than San Francisco) so very far away from everything. It's like it just popped up, with lavish Paris style buildings, lush and well-thought out parks, magical tree buttresses the size of Volkswagens, fast drivers but patient citizens, grocery stores with vegetable sections that could vie for a Bon Appetit centerfold, each tomato, avocado, head of lettuce meticulously placed, tempting a caress.                 

                                                                               




RESTAURANTS

Restaurants, too many to count, serving grass fed beef you can cut with a spoon, salads with up to five 'gustos' or additions: tomatoes, onions, corn, peas, carrots, beets. Old world waiters in starched white shirts, black bowties and waist-high aprons—even at the smallest coffee shops—seating you with a nod or a flourish, then standing by as you ponder the menu. The city's fixated on food, with the popular parrilla leading the way, followed by a concentration of Italian eateries from high end to pizzeria. Every other food appears too, with plentiful choices. Argentina's turn of the century melting pot had no limits: Italian, Greek, Spanish, Irish, French, Chinese, Indian, English, German, and now the occasional gringo.


Rio Alba Restaurant (by author)

                                                                                                

ARCHITECTURE

Ultra modern high-rise apartments intertwine with ancient buildings, some in disrepair like the sidewalks, where busy passersby go about their daily routines. Trees line the streets, stretching stories high, home to birds singing lovely solos, too melodic to seem real. Buses, subways and taxis move the active locals from Point A to B. Average stature, thin and trim, intelligence level high. Everyone has an opinion and you'll hear it if you ask. A common phrase: God is everywhere but serves in Argentina. There's a quick wit and readiness to laugh. Strangers help with questions, no rebuffs.


Summer weather (north of the equator's winter) borders on godly—mid-eighties with light humidity, just enough to make my hair have a little tweak. Short sleeves and sandals, the clothing of choice.

Flea markets appear in countless parks on weekends in contrast to high-end stores like Hermes and Yves Saint Laurent in various chic parts of town. Elderly women walk with doting daughters on their elbows, afternoon strolls to who knows where.

The peso fluctuates constantly, with two deep cuts on the heels of the 2000 debacle that brought this thriving country to its knees. But still, the Porteños find time to tango.


TANGO

La Boca, where tango was born, still compels locals and tourists alike to throng El Caminito, to watch non-stop street tango performed by tango dancers extraordinaire. La Boca, which means 'the mouth' in Spanish, was once literally the mouth of Buenos Aires as it's located in what used to be the city's biggest port. In the late 19th and early 20th centuries, immigrants set up shop in the surrounding vicinity, working the docks, earning a wage, while yearning for their far away homelands. From these cravings was born the tango. The haphazard shanty houses, still standing, line the streets, made from sheet metal and wooden planks and painted in bright colors. 


La Boca streets (by author)

While strolling through La Boca, we took a seat at an outdoor cafe to have a café and watch street tango. This conversation floated my way.

"We're not American," I heard the guy next to me tell the waiter in Spanish as he looked over his check. 

Every restaurant table was filled in La Boca. The sun was out and so were the tourists."Why are you charging me to use a fork?"

That was a new spin. I'd lived in Mexico for years and had a knack for detecting certain discrepancies. But using a fork carried a surcharge? That was a new spin. The discussion heated up as his girlfriend got involved. I tuned out.

Time to watch the passersby and the street-side tango. What legs she had, the dancer, in an off-blue high slit backless dress. Dark hair with high sheen, pulled back in a low bun. I'd heard the sad lonely song from the bandoleon somewhere before. Her partner, black suit, white shirt, Cuban hat, moved along with her ignoring the crowd.


Tango Dancers (by author)


If you enjoyed this post, check out my other works, Where the Sky is Born: Living in the Land of the Maya. It's available on Amazon with tales of expat life and living within 100 miles of four major pyramid sites. Also, check out my website at www.jeaninekitchel.com. Books one and two in my Mexico cartel trilogy, Wheels Up—A Novel of Drugs, Cartels and Survival, and Tulum Takedown, are available on Amazon where you can find my overview of the 2012 Maya calendar phenomenon, Maya 2012 Revealed—Demystifying the Prophecy. 


Wood Mural in La Boca, Buenos Aires (by author)