MAYA 19th CENTURY SCHOLARS TRIED TO LINK BEGINNING OF CIVILIZATION TO YUCATÁN MAYA

 

A fabricated myth about a Maya princess named Queen Moo and her warrior king brother, Prince ChacMool, seduced two prominent Maya scholars, August LePlongeon and wife Alice Dixon, into promoting an unfounded theory that civilization began in the New World with the Maya.

LePlongeon and Dixon were viewed as the Maya world's 'new age' scholars because of this far-fetched belief, and the theory branded LePlongeon as an eccentric crackpot, earning him the disdain of those in his field.

A DREAM OF MAYA

The belief that the Maya held the key to civilization fueled their desire to explore the Yucatán's ancient pyramid sites in the late 1800s. Larry Desmond and Phyllis Messenger's book, A Dream of Maya, gives deep insight into LePlongeon and Dixon's lives, explaining their controversial views and documenting their hard-nosed earnestness and early pioneering excavations—from digging up ruins, to drawing architectural floor plans, to tracing murals, along with their detailed photographic records. They were also early-on students of a photographic technique that used glass and plate negatives.

As Desmond explains, if history had been kinder to the LePlongeons, it would have depicted an extraordinary couple whose lifelong work had not been fairly appraised. Their explorations occurred during a time of historic uprising, the Caste War of Yucatán. They were there at its height.

OFF TO PERU

LePlongeon, a Frenchman, left France after a distinguished university education to study earthquakes in Peru and to explore the country's archeological sites. This launched him into a lifelong study of scrutinizing ancient ruins and looking for clues about their builders. In Peru he began to form his ideas on the origin of the world's civilizations.

While there he heard about the California gold rush and jumped a ship to partake in that historic event, spending several years in gold rush country where he speculated on land and came away with thirty thousand in profits, enough to fund his South American travels.

During his stay in California he apprenticed under a physician for three years and received a certificate as a doctor's tutor. But before heading back to South America, he sailed to Europe where he stumbled onto a new photographic technique using paper instead of metal. He urged the inventor to teach him the process which would serve him well while uncovering Yucatecan ruins, enabling him to document his discoveries. His photos of sites Uxmal and Chichen Itza remain some of the best ever taken as they show the ruins as they stood for eons, long before archeologists re-discovered them. Sadly many of LePlongeon's negatives and photos have been lost. 

ENTER ALICE AND THE YUCATÁN

LePlongeon met Alice Dixon while in Europe. They were married and for their honeymoon, set sail for Cuba, then onto Progreso, Mexico. They landed in 1873.

A bout with yellow fever for Alice dampened their arrival but LePlongeon nursed her back to health. During her recuperation the two began to study Yucatecan Maya and became acquainted with local scholars. They believed communicating with the present day Maya was an important step to interpreting the past. Alice remained a champion of the Maya her entire life, and wrote about them long after she left the Yucatán.

Their first visit to see pyramids was at Uxmal, forty miles south of Merida. They were awed by the size of the site and camped in the Governor's Palace, sleeping on hammocks. They took photos, cleared the land to better see the site, and were determined to return again later.

CHICHEN ITZA AND CHACMOOL

The number one item on LePlongeon's bucket list was Chichen Itza. He'd heard from a local that a sacred book or codex (hieroglyphic text) was buried there, in a building with many chambers, called Akab Dziba. Destiny called and LePlongeon believed he could further his theory of Maya world supremacism if he could locate the text.

At the time, however, all areas surrounding Chichen Itza, including the nearby pueblo Piste, were overrun with invading Chan Santa Cruz Indians who were doing battle in the Caste War of Yucatán. War or no war, LePlongeon was determined to test his theory, asking local authorities to post soldiers around the site while they searched for the text.

On locating the Akab Dziba, LePlongeon noticed the presence of glyphs on a lintel which he believed would further his theory. He took 500 stereoscopic photos including close-ups which showed hieroglyphic details. In their early excavation of the site, he and Alice also traced a number of murals and made molds in bas relief.

QUEEN MOO AND PRINCE CHACMOOL

They fixated on the Upper Temple of the Jaguars, near the ball court. The year was 1875. The workers discovered a large slab with carved figures holding outstretched arms. LePlongeon called it Atlantis. Murals on walls in the Upper Temple depicted village life, war scenes, and rulers in court. The explorer concluded this was a generation of Maya rulers whose totem was an eagle or macaw. He declared it a symbol of a Maya princess who he christened Queen Moo (Maya for macaw). Her brother he named Prince ChacMool, powerful warrior, a reference to the jaguar in Mayan. This flimsy attempt at a scholarly decision became the basis for his Maya myth and led to much of the derision that plagued his career.

After studying the mural for weeks, he determined Queen Moo of Chichen Itza had been forced to flee to Egypt bringing with her all the philosophies of the Maya, thereby cementing his idea that Egyptian civilization was founded by Maya.

So much for far-out theories. But LePlongeon was soon to discover "through stones that spoke to him," a small mound, and under it, through what he determined was spiritual guidance, the famous statue ChacMool, five feet long weighing hundreds of pounds. A replica, on display at the Anthropology Museum of Merida, is virtually synonymous with Chichen Itza and the ancient Maya.

Originally spelled Chaacmool—Maya for powerful warrior—the word was misspelled as ChacMool  through a mistranslation by one of his missives to a benefactor. The LePlongeons' struggled to bring the statue to the States to display in Philadelphia at the America Centennial Exposition, but the Mexico president denied their request.

"SURROUNDED BY ENEMIES"

In the meantime, they sent other Maya artifacts to the US to display at centennial ceremonies, but the objects arrived too late. Also, photos that LePlongeon had labored over were stolen by another archeologist who claimed them for his own. Soon even their main benefactor would give up on their excursions. At times they found it difficult to find money to eat, so meager was their situation.

"Surrounded by enemies, Remington always at hand, death lurking in every direction," Alice wrote in a letter to a friend in 1877, describing their predicament. The Mexico government had refused to pay them for the extensive work they'd completed in not only finding the incredible artifact but in delivering it to the pueblo Piste; they picked up and went on to other ruins—Mayapan, and also to sites in Honduras.

Their travels would continue for nearly twenty more years, and they would write prolifically about the Maya, both fact and fiction. Alice became well known for a series of articles written for the New York Times and other publications that romanticized the Maya world. They both lectured non-stop in Europe and the US, promoting the Yucatán pyramids and the Maya.

Augustus LePlongeon died December 1908 in Brooklyn at 82. Alice died two years later in 1910 leaving the balance of their findings with a friend, Gladys Blackwell, who was instructed to distribute their materials to "someone who would listen."

When reviewing the troubles, excursions, and the rebuffs this couple experienced, all to try to illuminate information on an ancient civilization, it boggles the mind. They were robbed of their efforts and disparaged because Augustus LePlongeon's vision was to try and discover through linguistics, field study, and comparative religions, the Maya way. Surrounded by enemies indeed.

For more information on my writing, check out my website at www.jeaninekitchel.com. My first book, a travel memoir titled Where the Sky is Born: Living in the Land of the Maya is available on Amazon, as is Maya 2012 Revealed: Demystifying the Prophecy, which is a journalistic overview of the 2012 calendar phenomenon. Books two and three of my Wheels Up cartel trilogy, Wheels Up—A Novel of Drugs, Cartels and Survival and Tulum Takedown are also available on Amazon. Subscribe above to keep up to date with further blogs on Mexico and the Maya and the Yucatán.

Vintage photographs come from Larry Desmond in A Dream of Maya.

Stephens and Catherwood Take the Maya World: Review of Jungle of Stone

IN 1839 an energetic American writer and a talented British artist, adventurers to the core, braved the jungles of Yucatan, Guatemala and Honduras and became the first English speaking travelers to explore this region originally known only as Maya.

Though a lawyer by profession, John Lloyd Stephens fell hard for archeology after a two-year sabbatical took him to Europe and the Mediterranean in the mid-1830s.  After trekking through deserts and ancient pyramid sites he came away fueled with a desire for more of the same. Simultaneously he discovered he could write and was dubbed “the American traveler” after he penned his first best seller about Egypt’s pyramids, the Nile, Petra and the Holy Land.

British artist Frederick Catherwood gained his footing during the “Egyptomania”

craze that hit London in the 1820s. A bit older than Stephens, he reached Egypt and the Nile in 1823 and discovered he had an uncanny ability to portray ancient monuments and archeological digs with great accuracy. Egypt was the start of an odyssey that in the end would take him to Copán and Palenque, Uxmal, Labna, Chichén Itzá and beyond.

CENTRAL AMERICA BECKONS

Serendipity brought the adventurers together in London, and shortly afterwards.

Stephens received a special ambassadorship to Central America from President Martin Van Buren to negotiate treaties with several Latin America countries.

Stephens immediately contacted Catherwood and asked him to come along for the ride. After political issues were settled, they’d go exploring for ancient ruins.

The duo headed south and after an intense journey through war torn Guatemala and Honduras, Stephens finished what he could of his diplomatic workload. It was time for exploration with their first destination Copán. Spurred on by a letter written to the Spanish king about ancient sites with large stone structures from an explorer named Deigo Garcia de Palacio three hundred years earlier, Stephens and Catherwood followed the trail of Central American patriot Colonel Juan Galindo. Galindo had discovered the archived letter and traveled to both Palenque and Copán in 1834. Stephens and Catherwood would arrive five years later after pouring over sketchy site coordinates from Galindo’s report made to higher-ups.

ADVANCED CIVILIZATION

Galindo believed whoever built these stone monuments had been an advanced civilization, and the artisans who created the works did so without iron tools. The monuments were covered in hieroglyphics and he conceived it was phonetic writing, which proved accurate, though it would take more than a hundred years to confirm his theory. He believed the site was the seat of a great power, a large population and a people advanced in the arts. The site had a grand plaza that could compete with the coloseum of Rome, he said. He emphasized that local inhabitants had little knowledge of the site’s history. And unbelievably, the account that pushed Galindo to explore Copán had accumulated dust in the archives of a Spanish court for more than three centuries. This mysterious and intriguing report was the reason Stephens and Catherwood found themselves in the depths of a Honduran jungle.

Because terrain in southern Mexico, western Guatemala and Honduras is a thick tangle of vegetation filled with rain forests and swamps, parts of the land were a mystery even to the Maya who lived there. Locals had no explanation for the stone blocks and imposing structures and knew nothing of their creators. So dense was the jungle that Spanish conquistador Hernán Cortés passed within one hundred miles of Palenque in the early 1500s, never learning how near he was to a massive pyramid site. (The classic Maya collapse occurred around 900 AD).

WHERE DID THEY COME FROM?

Galindo’s revolutionary view of an ancient sophisticated civilization with no ties to their Northern European brethren fell on deaf ears. Early explorers of Palenque in 1787 insisted it had classical Roman and Greek influences, speculating somehow one of these cultures had crossed the Atlantic, conquered the native locals, built the structures, never to be seen again. Another explorer said it had to be the work of the Lost Tribe of Israel’s doing, underscoring how hesitant each and every western explorer who came in contact with the Maya was to give an advanced indigenous culture its due. 

These discoveries continued to baffle western intellects and religious scholars alike. The existence of vast sophisticated cities hidden in the middle of Central American jungles threatened the biblical order of the known world. Where did these people come from and how old were their cities? One explorer, a crazy outlier named “Count” Jean-Frederic Maximilien de Waldeck, made an accidentally correct claim when he stated Uxmal was at least one thousand years old, basing his claim on the concentric tree circles he counted from a tree that implanted itself in the building’s entryway after it was already in ruins.

It would take Stephens and Catherwood, seasoned with their old world explorations, to examine the evidence at the sites and forge a new, correct narrative.

CAPTURING COPÁN’S ESSENCE

Though Stephens’ written descriptions of the sites were detailed and informative, it was Catherwood’s otherworldly sketches that would forever change the way the world viewed the mysterious, previously unknown Maya culture. On their first week at Copán, Catherwood would toss out countless attempts at capturing the Maya stelae (stones with hieroglyphs) that he found. At first his western mind could simply not contemplate, then draw, what he was seeing. To him, a western European, the gigantic Copán sculptures, some four to five meters high, were so profoundly different than the antiquities of the mideast that he had a difficult time rendering them. The two veteran travelers who had toured the wonders of Egypt knew they were in the cross hairs of an incredibly advanced civilization and they were now on “new ground” as Stephens wrote later in Incidents of Travel in Central America, Chiapas and Yucatán, his best seller about the Maya world.

To capture the soul of the sculptures and to assist himself in so doing, Catherwood took photos with his Camera Lucida, the precursor to a modern camera, then from those drawings, he attempted to re-draw what he saw.  Though it took him many tries, a slight shift in his perspective broke through and with powerful persistence, he finally got it right. He filled page after page with drawings rich in detail of the unfathomable hieroglyphics, monuments, sculptings. His drawings would prove so accurate that long into the future, archeologists would be able to read them when they finally broke the Maya code in 1976 at the famous Palenque Round Table.

But at the time, to convince an uncertain world of what they were seeing, it would take not only the stark beauty of Catherwood’s detailed drawings to put Copán, Palenque and other Maya sites on the map, it would also take Stephens’ energetic and romantic prose to seal the deal.

Copán and Palenque were just the beginning of Stephens and Catherwood’s Maya explorations. They would go on to view forty-four sites in all, many detailed in Jungle of Stone. The struggles they endured to bring this discovery to the world hit them hard. Both were forever plagued by side effects of malaria and other diseases contracted while chasing pyramids.

CATHERWOOD’S SKETCHES

Even if you’re not in the mood for a long read, Frederick Catherwood’s incredible sketches shown in the book, many in color, make Jungle of Stone worthwhile. It’s available at Alma Libre Bookstore in Puerto Morelos, 360 pesos.

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Jeanine Kitchel, author of Where the Sky is Born: Living in the Land of the Maya, has a new novel out this April, Wheels Up—A Novel of Drugs, Cartels and Survival.