WOMEN IN ARCHEOLOGY: LINDA SCHELE—MAYA SCHOLAR, ARTIST, AUTHOR—GONE TOO SOON

 

Linda Schele at Palenque (Photo Justin Kerr)

It's hard for me to write about Linda Schele. Not just because she was so central to the study and understanding of the Maya culture, their writings, civilization and how the world came to view them, but because she was my gateway into understanding the Maya. Just several short months after I'd 'discovered' her by reading her works in my bookstore smack dab in the middle of Maya country, she died at 55 from pancreatic cancer in 1998 in Austin. Since it was pre-internet days and we were in rural Mexico I didn't learn of her death until five months later—a customer broke the news. I was devastated. Even though I only knew Linda Schele through the printed page, I felt I'd lost a friend.

A FOREST OF KINGS

Schele became my Maya mentor for a number of reasons. By way of introduction, A Forest of Kings: The Untold Story of the Ancient Maya, co-authored with David Freidel, held me rapt for days. Not only was she an author, she was a woman studying and doing, taking chances in archeology, predominantly a man's world at the time (and who's to say, probably still is). She was vibrant and exciting and wrote beautiful volumes about this mysterious civilization which bordered on the mystic but were firmly rooted in science. First and foremost an artist, she wove a story about the ancient Maya, who at the time were lauded yet elusive. Her work and writings were approachable. She made remarkable progress in a short period of time. She learned the names of Maya rulers, a true breakthrough. Along with fellow scholars Floyd Lounsbury and Peter Mathews, they were first to decode a Maya king's name, Pacal, in 1973, at Palenque's Mesa Rodunda. It was the first meeting of Maya archeologists, scholars and admirers, also known as the Maya Roundtable. Pacal, by the way, was Palenque's greatest and longest running ruler. Nothing like starting at the top, Ms. Schele.

THE CALL

How did Linda fall under the spell of the Maya? A graduate from the University of Cincinnati with degrees in education and art, she was teaching studio art at the University of Alabama. In 1970 she traveled with David, her husband, to photograph Mesoamerican sites in the Yucatan for the University's collection. The next year they returned to Mexico in an obligatory visit to Palenque. "When they arrived at Palenque, she was mesmerized," wrote famed Maya photographer, artist and scholar Merle Greene Robertson, who lived and worked on site.

Palenque Temple of Inscriptions (MacDuff Everton)

"The morning they left for Uxmal we said good-bye and hoped to see each other again" said Robertson. "At five p.m., guess who appeared at the door, Linda. They'd been to Uxmal but turned around and returned to Palenque. It was the beginning of a long, dear friendship."

Meeting Robertson, her most important mentor during the early stages of her new voca-tion, drew Schele into the world of the ancient Maya, their art and their system of hieroglyphic writing, at the time not fully understood.

Schele described her trajectory like this: "I was a fair to middling painter who went on a Christmas trip to Mexico and came back an art historian and a Mayanist."

UNVEILING A DYNASTY

Schele went on to become world famous and a leading authority in her new field. She believed her background in art assisted in seeing the Maya writing in an unencumbered, less scientific manner. Soon Linda's speciality was decoding Maya hieroglyphics, especially after the 1973 Mesa Rodunda at Palenque. Prior to that, though greatly studied by epigraphers and iconologists, no one had much luck deciphering them. 

How Glyphs Were Read by Schele and Others

Concerned that Maya research was limited to a few experts with special access to key resources, Robertson's brainstorm for the Palenque gathering drew authorities, students, and local Mayanists together to hash things out. Schele, along with Mathews, an undergraduate who'd spent a year working on famed archeologist Eric Thompson's T-numbers—the only 'de-coding' attempt so far at breaking the Maya glyphs—began piecing together Palenque's history using what was called the Tablet of 96 Glyphs. Researchers understood this to depict a line of royal accession, and within hours, through a combination of luck and Mathew's intimate knowledge of glyphs, they unveiled most of Palenque's dynastic history, including the aforementioned ruler Pacal. This achievement became the stimulus that led to many later discoveries by Schele and other scholars. 

Merle (center), Fellow Scholars and Linda (right)

VERTICAL ASCENT

Schele's accomplishments moved vertically. In 1975-76 she was a fellow in pre-Columbian studies at Dumbarton Oaks, D.C., while also working with fellow scholars to accelerate the process of Maya hieroglyphic decipherment through word order in Maya inscriptions. In 1980 she was awarded a Ph.D. in Latin American Studies and her dissertation, Maya Glyphs: the Verbs, 1982, won The Most Creative and Innovative Project in Professional and Scholarly Publications, by Association of American Publishers.

In 1977 she founded the Maya Hieroglyphic Workshop at Texas. These meetings, held at UT/Austin, have become a major source for many significant epigraphic discoveries made about ancient American civilization over the last two decades.

In 1981 she continued her teaching career in the Department of Art/Art History at the University. In 1988 Schele was named the John D. Murchison Professor of Art at University of Texas.

In 1986 she organized a ground breaking exhibition of Maya art, The Blood of Kings: Dynasty and Ritual in Maya Art. The catalog, co-authored with Mary Miller, continues to be used as a major text for the field and was awarded The Alfred Barr Award of College Art Association for the Best Exhibition Catalog/1986.

CONTEMPORARY MAYA

Also in the mid-80s she expanded her academic interest to include the culture of the contemporary Maya. Along with two colleagues, she organized and presented 13 workshops on hieroglyphic writing to Maya speaking peoples of Guatemala and Mexico in order to re-introduce hieroglyphic writing and interest of the ancient Maya to the modern Maya. The Maya trained in these workshops are now actively engaged in the translation of the writings of their ancient ancestors and tutoring others to do so. Working with young Maya was her most cherished activity.

For general public interest she actively promoted making scholarly research accessible to the general public which included the annual Maya Meetings at Texas. She made numerous speaking arrangements around the world, took tours of Mesoamerican sites by Far Horizons, and wrote three more books: Maya Cosmos: Three Thousand Years on the Shaman's Path, co-authored with Freidel and Joy Parker, 1993; Hidden Faces of the Maya, 1997; and The Code of Kings: The Sacred Landscape of Seven Maya Temples and Tombs, co-authored with Peter Mathews.

Code Breakers Peter Mathews and Linda Schele, Palenque 1973 (R. Thornton)

In a 25-year period, Schele produced a number of important works on ancient Maya art, culture and writing. But she was also a hands-on Mayanist who traipsed to and explored numerous pyramid sites from Mexico to Belize and Guatemala, looking at each Maya cityscape for symbols, clues to their astronomy, meanings of rituals deciphered from hieroglyphs, and the legacies the Maya left behind. Schele's unique combination of art, history and teaching gave her a fresh and unique overview of the civilization she came to love, know, and help bring to light. Her influence on how the world views the ancient Maya is unparalleled. RIP Linda Dean Richmond Schele.

Linda Schele and Bust of Pacal

If you enjoyed this post, check out  Where the Sky is Born: Living in the Land of the Maya, on Amazon. My website is www.jeaninekitchel.com. Books one and two in my Mexico cartel trilogy, Wheels Up—A Novel of Drugs, Cartels and Survival, and Tulum Takedown, are also on Amazon. And my journalistic overview of the Maya 2012 calendar phenomenon, Maya 2012 Revealed: Demystifying the Prophecy, is on Amazon.

TO BE IT YOU NEED TO SEE IT: WHAT IF INDIANA JONES HAD BEEN A WOMAN?

Merle Greene Robertson, Archeologist, Artist, Scholar

I've written about Maya women warriors and queens, women archeologists, anthropologists, epigraphers, authors and artists, all who've inspired the masses. After reading a Washington Post Op-Ed (A Woman to Reboot Indiana Jones? Yes, Please) by bio-archeologist Brenna Hassett about the new film starring Hollywood's favorite archeologist, she reminded us that overall, the study of archeology is dominated by men. Says Hassett, "This is what generations of girls—me included—saw when we saw archeology, and that's a problem. Because to be it, you need to see it."

So let's address women trailblazers in archeology who've carved a place for themselves and those who came after—the likes of Merle Greene Robertson and Linda Schele for starters. In her study of the Maya, Robertson lived as many adventures as the more famous Dr. Jones, traipsing through Central American jungles, crossing rivers, evading looters, working hours on end creating a multitude of life-size art rubbings in dam, cramped spaces. 

Linda Schele was a major scholar, author and trail blazer in the decipherment of Maya hieroglyphic writing and the study of ancient American civilization. Her death at age 55 in 1998 was a terrible loss to archeology and the study of the ancient Maya.

I'll begin with a previous 2022 post on Robertson, a larger than life presence in the world of Maya archeology and culture. Next will be Linda Schele and I'll then continue with women outliers in the global field of archeology and anthropology, several of whom I've already written about.

MERLE GREENE ROBERTSON

Merle Greene Robertson was an archeologist, artist, scholar and Maya explorer, but these are mere labels. Her entrance into the study, portrayal and exploration of the Maya culture was a catalyst for introducing the ancient Maya to the modern world through art, photography and exploration of numerous Maya sites. After I read Never in Fear, her autobiography, I realized she well could have been the glue that stuck it all together, the Gertrude Stein of the Maya world. Along with fellow scholars, she shaped an understanding of the ancient Maya civilization. She galvanized others, as an organizer, planner, dynamo and she knew everyone in the field from Eric S. Thompson and Alberto Ruz to Michael Coe, George Stuart and those who came after.

INCIDENTS OF TRAVEL IN YUCATÁN

Her enthusiasm and limitless energy in regard to Maya culture made her a fulcrum at the very moment the Maya re-emerged on the world stage after an unduly long absence. The first European and American explorers who stumbled onto these pyramid sites in the 1840s were floored by what they saw. A blockbuster bestseller in 1846, Incidents of Travel in Yucatán, written by John Lloyd Stephens with drawings by Frederick Catherwood, ushered the reader into Maya sites at Uxmal, Chichen Itza, and Copan for starters. The book literally blew the collective mind of the world. No one had a clue that intricate stepped pyramids lay hidden, covered by centuries of vines and forest, deep in Mexican and Central American jungles. The archeology world lay in the mid-east and far east. Before the release of Stephens' and Catherwood's book, the word "bestseller" had not yet been coined. 

Frederick Catherwood Maya Drawing

The world clambered for more knowledge of this mysterious civilization, hidden in southern rainforests of North America. Stephens' concise writing along with Catherwood's magnificent drawings assisted in shaping the identity of one of the world's great civilizations—the Maya. Previously unknown, the Maya had joined an iconic club alongside other great civilizations: Egypt, Mesopotamia, the Indus Valley and China.

ROBERTSON AND HER WORK 

Robertson is nearly indefinable, so interwoven was the role she played with her Maya work over the past fifty years—from assisting in breaking the Maya hieroglyphic code, to co-founding the Palenque Roundtable talks, including trekking to and exploring scores of pyramid sites in Mexico and Central America. Not to mention the body of work she left behind after reviving an ancient archeological rubbing technique using Japanese ink on rice paper.

She created beautiful reproductions of countless stela, columns, tombs, sarcophagus lids, often produced in unfavorable circumstances after trekking through rugged terrain and dense forests crawling with snakes and buzzing with bothersome mosquitoes. Occasionally she and her crew had close calls with grave robbers. A life of leisure was never to be hers— she wouldn't have wanted it. Not unlike Frederick Catherwood's drawings, Robertson's sublime rubbings brought the Maya to the world visually.

ANCIENT TECHNIQUE

Finished Rubbing, Stela 16, Dos Pilas

Merle Greene Robertson was a legend in the world of Meso-American studies and Maya epigraphy. With over five thousand rubbings to her name, thanks to a generous heart, many landed in museums and universities throughout the world. She not only explored these faraway Maya sites but shared her knowledge with others. Often her expeditions included lucky students who accompanied her in what would no doubt become the experience of a lifetime.

NEVER IN FEAR 

With a career that spanned close to sixty years, it's impossible in a single post to condense all that Robertson accomplished. Turning page after page in her autobiography, Never in Fear, it seemed she lived her life in warp-speed.

Do we shape our lives, or are our lives shaped by our experiences and those we meet along the way? After reading Robertson's autobiography, apparently her future unfolded while growing up in the rural West where she developed an interest in Native American culture.

EARLY BEGINNINGS

Born in Montana, she lived on land flanked by the Rocky Mountains. Her interest in Native American culture was ignited when her father took her to visit Blackfoot Indian chiefs. She was also influenced by nearby Montana neighbor Charles M. Russell, one of the greatest western artists of all time, who encouraged her interest in art and drawing. Meeting Blackfoot Indians and watching Russell paint may have shaped her future at an early age. 

She attended university in California and graduated with a degree in art. Later she attended the Instituto Allende in San Miguel de Allende, Mexico, where she studied watercolors, oils, photography, and mural painting for three summers before earning her MFA from University of Guanajuato.

Afterwards she went to Tikal, Guatemala, to work on a University of Pennsylvania project where she made architectural drawings of the Central Acropolis. This was her entry into recording monuments by means of rubbings. The technique is an ancient one, the earliest taken from Buddhist texts on wooden blocks in 8th century Japan, or from rubbings practiced in 2nd century China. Robertson brought it to an art form. Her perfection of the technique showed how rubbings could be a means of documentation of Maya relief sculpture.

SUMMER EXCURSIONS TO MAYA COUNTRY

Central Acropolis, Tikal (Afar)

Robertson's working life was as a teacher at Robert Louis Stevenson School in Pebble Beach, California, where she met her second husband, Lawrence "Bob" Robertson. In the summer of 1960 they began taking students to Guatemala and Mexico for summer vacation. The main purpose of the trips was to record in photos and rubbings the magnificent monuments on which the ancient Maya carved. Even as early as the 1960s, the looting of Maya sites was common and Robertson's desire was to record as much of the Maya civilization as possible before it was hacked to pieces or sold off to private collectors.

PALENQUE AND PAKAL'S TOMB

Though Tikal, her first jungle excursion, stole her heart, once in Mexico, Palenque replaced Tikal as her number one site. Her documentation of the site was revolutionary. She started with the Temple of the Inscriptions. In order to photograph it before beginning her rubbing, giant scaffolding was constructed for her to stand on. Nothing she did was easy. Her rubbing of Pakal's sarcophagus lid, Palenque's greatest ruler, took super-human tenacity.             

She wrote, "The first thing I started on was the sarcophagus lid, down in the crypt of the Temple of the Inscriptions. A rubbing had never been done before. I worked locked in with only a lantern to see by. It was quite a trick getting myself on top of the lid. It took seven sheets of rice paper (1 x 2 meters). Also, I had to use oil paint instead of sumi ink; there could be no way to work on so much space and keep an inked area from running into the sheet of paper next to it. After two weeks working on the sarcophagus, doing several parts of it over time, I felt that Pakal was not only my friend but a long lost relative."

After the lid, she worked on the side. "Standing in water on the floor of the tomb, trying to do the rubbings and not getting the paper wet was no small feat, especially since the space between the walls of the crypt and the sarcophagus was barely wide enough for me to stand. All of the rubbing equipment had to be kept on top of the sarcophagus, making it difficult to reach when standing on the floor.

"Inch by inch, as different features of the ancestors of Pakal emerged, it was as though I was speaking with these dead kings—I now knew them. Being alone in the tomb was like being in their world long ago."

THE SCULPTURE OF PALENQUE

The results of her Palenque work was documented in a series titled The Sculpture of Palenque. She searched out pigment sources in that region to duplicate the colors used by Palenque artists centuries ago. Her impressive collection of rubbings represents a major archive of Maya monuments throughout the Maya world and has been a major resource for scholars studying the culture. 

Temple of the Sun Reconstruction Painting

At Palenque, she met Moises Morales, head guide and major domo of the site. Her friendship with Moises and his family would be a staple in her and Bob's lives for decades. At first he rented them a room and in the 70s built a house next to his in the La Cañada compound.

Merle and Bob worked together on the Maya projects—she as artist and he as jack of all trades, performing behind the scene duties that greased the wheels. Their presence in Palenque became an interest to traveling scholars and and their house, Na Chan-Bahlum, became a meeting place for every archeologist working in Chiapas, the Yucatán Peninsula, and Belize—their door was always open. Palenque is where Linda Schele and Merle met and became fast friends.

MAYA ROUNDTABLE IN PALENQUE

 In 1973, things were beginning to gel in the Maya world. Through conversations initially with Linda Schele and other Mayanists, an idea emerged— why not have a gathering of like minds? They put together a list and sent out feelers for a get-together. Soon afterwards, Merle heard from famed archeologist Michael Coe. He suggested December would be a good time. The idea ignited and the first Maya conference took place in 1973. Through discussions, lectures, late nights and visits to the pyramid structures footsteps away, the group was at the beginnings of breaking the Maya hieroglyphic code and figuring out who the ancient Maya were. The conference became known as Primera Mesa Redonda de Palenque.

Topic talks ranged from art, history, chronology, iconography, early explorers, inscriptions, sacrifice, trade and the surrounding area. Word got out and everyone came: guides, archeologists, scholars, artists, students. Fourteen universities from the US, Mexico, and Canada came and everyone was asked to have a paper ready to give as a lecture on the art, architecture, or iconography of Palenque. The second year, 1974, the governor of Chiapas opened the ceremonies in Palenque's Municipal Auditorium, it had grown that much. The first had convened in Merle and Bob's house in Palenque.

BREAKTHROUGH AT FIRST CONFERENCE

That first year's highlight was the discovery of the names of Palenque's rulers by Floyd Lounsbury, Linda Schele and Peter Mathews. The second year's highlight along with the governor presiding was the attendance of archeologist Dr. Alberto Lhuillier Ruz, famous for his discovery of the Tomb of the Temple of the Inscriptions where Pakal's sarcophagus was buried. Eventually, through the melding of minds, the Maya hieroglyphic code was broken, the turning point being that first Roundtable in 1973. 

Bob and Merle lived in Palenque and helped host Mesas Redondas until Bob's death in May, 1981. Merle went on to do many more Maya rubbings in the Yucatán, specifically at Chichen Itza, where at Hacienda Chichen, Robertson was given her own suite which became headquarters for her crew. After the Chichen Itza project, Merle traveled the world, visiting other archeologists, artists, and friends while painting and walking ancient ruins everywhere on the planet. 

Stela 1, Ixkun, the Peten, Guatemala

MAYA SITES VISITED

During her time studying and recording the Maya, Robertson visited and worked at Tikal, Sayaxche, Dos Pilas, Aguateca, Itsimte, Naranjo, Tamarindito, Ixkun, Ixtutz, El Peten, Seibal, Yaxchilan, Lubaantun, El Baul, Bilboa, Jimbal, Uaxactun, Lamanai, Caracol, El Palmar, Calakmul, Copan, Palenque, and Chichen Itza. She could definitely compete with Dr. Jones. And to my women readers, I'd say she'd come out on top.

Merle Greene Robertson died at her home in San Francisco in 2011. She was 97 years old.

If you enjoyed this post, check out  Where the Sky is Born: Living in the Land of the Maya, on Amazon. My website is www.jeaninekitchel.com. Books one and two in my Mexico cartel trilogy, Wheels Up—A Novel of Drugs, Cartels and Survival, and Tulum Takedown, are also on Amazon. And my journalistic overview of the Maya 2012 calendar phenomenon, Maya 2012 Revealed: Demystifying the Prophecy, is on Amazon.

A SUNKEN CITY IN BELIZE UNCOVERS THE MAYA'S SECRET TRADE ADVANTAGE—SALT

Known in the ancient world as astute astronomers, temple builders, and lords of the jungle, the Maya captured our imagination by their ability to read the night sky and to build magnificent stepped pyramids.

Often left out of the Maya's intricate narrative is their competence at having developed extensive trade networks that linked present day Guatemala, Honduras, and the Yucatán to the Caribbean coast.

TRADERS EXTRAORDINAIRE

Using large seagoing canoes, Maya traders plied the Caribbean coast from Mexico to Panama, bringing obsidian, jade, feathers, pelts, and numerous other goods from the interior and highlands of their vast empire to far flung regions. But little has been mentioned until lately of their most highly valued commodity—salt. 

                               

Bolon Yookte' K'Uh, Maya God of Trade

The Yucatán Peninsula has salt fields in Rio Lagartos, made famous by the annual migration of the flamingos that return to feast on the pink brine shrimp that give them color. The flats are large bodies of water where natural condensation has removed the water from the mineral so that salt can be harvested.

Rio Lagartos Salt Flats 

SALT BRINE

But salt from salt fields was not the only type of salt the Maya traded. During the peak of the Classic Era, from 300 to 900 AD, coastal Maya also produced salt by boiling brine in pots over fires. The end result was shaped into salt cakes, then paddled by canoe to coastal cities to be traded extensively at markets throughout MesoAmerica.

Heather McKillop On Site

Salt is essential for life and as ancient civilizations evolved from hunters and gatherers into agrarian societies, it was not immediately clear how this mineral was acquired until Heather McKillop, an archeologist at Louisiana State University along with her co-author anthropologist Kazuo Aoyama from Japan's Ibaraki University, an expert on stone tools, produced evidence in research published in the Proceedings of the National Academy of Sciences.

THIRTY YEAR STUDY

McKillop has been studying salt production sites in Belize's Maya lowlands for 30 years. After discovering a number of submerged Maya cities through underwater excavations, research revealed how the Maya manufactured salt. The discovery comes from a now submerged archeological site known as Ta'ab Nuk Na. It was inhabited from 600 to 800 AD in an area Belizians call Paynes Creek.

Ta'ab Nuk Na is the largest known Maya saltworks in the country and the most revelatory. Her team has uncovered the remains of 110 salt-producing kitchens in the region, each one capable of producing enough salt for 7,000 people per day.

Sharing her co-author and stone expert Kazuo Aoyama's input, McKillop said in Science Daily, "I thought the findings would be that they cut a lot of wood, but in fact, the majority of the stone tools were used for cutting meat and fish. That really changed our views."

Team Excavating Ta'ab Nuk Na (Photo Heather McKillop)

SALT AND THE MAYA ECONOMY

She and Aoyama realized, McKillop continued, that not only were the Maya producing a lot of salt, they were also using salt to produce necessary food commodities for export. This meant the salt-producing Maya played an important role in the greater Maya civilization, which at its height, was believed to have encompassed millions of people throughout MesoAmerica.

"Our research is clear that the coastal Maya were an integral part of the Maya economy because they produced and traded a basic commodity, salt. Since everybody needed salt, the coastal Maya really contributed to daily life," said McKillop.

PRESERVED BY MANGROVES

Although water erodes century-old wooden structures, the Belize site is embedded in anaerobic mangrove peat which contains very low oxygen and staves off micro-organisms that would typically break down similar structures.

Mangroves in Belize (Restorationproject.com)

The survey revealed the presence of ancient salt works, called kitchens, for brine broiling. The salty sea water would be placed in ceramic vessels and heated on a fire. The water would evaporate off, leaving behind just the salt. This valuable mineral was stored in the vessels and traded. New analyses of stone tools found at the Paynes Creek Salt Works site—as it is being called—reveal that not only were the Maya making salt in large quantities but were also salting fish and meat to meet dietary needs while producing a commodity that could be stored and traded. 

SALT KITCHEN WORKERS

Not much is known about the salt workers and their lives. Though they may have been seasonal or daily workers, finding a residence at Ta'ab Nuk Na leads researches to believe this was also their home. But lack of verifiable information leaves a gap in drawing the complete picture of salt sale production and distribution.

Moving Wood Post in Water (Photo by Heather McKillop)

Excavations revealed the remains of several buildings dating to the 6th century—ten pole and hatch huts were discovered. Marking individual artifacts on the sea floor allowed the team to see their distribution and reconstruct the activities in the different buildings, McKillop said. 

MULTI-FACETED 

Not only did the Maya "work from home" by producing salt in their backyards, they also performed household activities such as fishing, preparing and cooking food, woodworking, and spinning cotton. Researchers say the household would have produced salt for itself before trading the surplus with other communities. 

Salt was a scarce commodity inland, where Maya cities were experiencing growth. Most of those areas were supplied from salt works that were located along the coast. In total, the sites at Ta'ab Nuk Na and elsewhere in the lagoon could have produced 60 tons of salt over the course of the four-month dry season, based on the production of a modern salt works in Guatemala. Along with being an invaluable tool for preserving food, salt was also used as currency in the Maya economy.

COTTAGE INDUSTRY

"You might expect this high demand to require a huge organized industry but it appears the civilization's huge salt output was mainly built upon this kind of cottage industry," McKillop said in the Science Daily article.

McKillop's study is a three-square mile area surrounded by mangrove forest that had been buried beneath a saltwater lagoon due to sea level rise.

"Sea level rise completely submerged these sites underwater," she said. 

WATERY FATE

It's not yet clear exactly when the Belize cities met their underwater fate. But McKillop's research is ongoing and she's positive she and her team will get to the bottom of the salt question and through technology, identify dates that the sea might have taken over. And maybe now that archeologists are aware of underwater cities that were vital parts of the Maya empire, more underwater excavations will occur. Stay tuned.

Paynes Creek National Park (By CosyCorner.com)

If you enjoyed this post, check out Where the Sky is Born: Living in the Land of the Maya, on Amazon. My website is www.jeaninekitchel.com. Books one and two in my Mexico cartel trilogy, Wheels Up—A Novel of Drugs, Cartels and Survival, and Tulum Takedown, are also on Amazon. And my journalistic overview of the Maya 2012 calendar phenomenon, Maya 2012 Revealed: Demystifying the Prophecy, is on Amazon.

PROLONGED DROUGHT CAUSED THE COLLAPSE OF THE ANCIENT MAYA EXPERTS SAY

Chichen Itza

Raging wild fires, one hundred year floods, and thousand year droughts. No, I'm not talking about the Maya—not yet—but about current weather patterns that are becoming all too common. A view into the past may well help prepare us for our environmental future.

In the past month I've read three new articles on studies that link the collapse of the ancient Maya to drought—from Nature Communications, Phys-Org, and Nature World News. To be sure, this is not new news. Archeologists across the globe have long debated the reason behind the Maya collapse and have come up with numerous theories. Radical environment change rises to the top of the list, always accompanied by extenuating circumstances linked to lack of water and how societies cope in times of food scarcity because of this. 

The Maya's rise to greatness was compromised by the most severe drought of the past seven thousand years. It devastated the Yucatán Peninsula and grand Classic Era Maya cities collapsed in four phases of abandonment—spaced about 50 years apart—around 760, 810, 860, and 910 A.D.  

NOT LONERS

The ancient Maya were not alone in civilization collapse due to radical environmental changes, but because that collapse occurred within the past thousand years, we may relate to it more. Before the collapse of the ancient Maya, countless great civilizations fell: the Minoan Greeks, the Hittites, Sumerians, Assyrians, Babylon, and ancient Rome for starters. The list goes on and on.

Minoan Greek Art

Early on, in 1946, the noted archeologist and Maya scholar Tatiana Proskouriakoff commented on a climate disaster that could have imperiled the Maya. She put it like this, "Though it is conceivable that the disappearance of the population may have been a gradual process, the catastrophically sudden extinction of the arts can be explained only in the terms of some widespread and unforeseen disaster that afflicted most Maya cities soon after a.d. 800."

The last known inscription on a carved Maya stella was listed as 910 A.D. in the Peten. In prosperous times, stella recorded major events detailing triumphs of kings and defeats of enemies. From 900 A.D. on there was either nothing to report or no backing for it. The kings could not maintain prosperity and when rain didn't come and crop harvests were not large enough to feed the population, disillusionment set in.

Recent testing of skeletal remains at various Maya sites shows evidence of disease and malnutrition right across the board—in nobles and peasants. Slash and burn agriculture caused land exhaustion and deprived the ground of nutrients. As the population grew, the peasants increased intensive farming techniques in an attempt to feed the masses. Their production system became over-burdened. Not enough food to go around.

LACK OF RAIN

And influential Maya archeologist, scholar, and author Michael D. Coe, in The Maya, Eighth Edition, Places and People, his last in the series, The Maya, writes researchers discovered a major drought that corresponded to the lapse between the early and late classic periods—a time in which no new stella (large limestone slabs placed in front of pyramid temples) were erected and in which earlier stella had been defaced. Defacing stella can be compared to spray painting graffiti on buildings today, showing a lack of respect for authority, I wrote in Maya 2012 Revealed: Demystifying the Prophecy.

Maya Carving at Palenque

In accordance with the environmental dilemma, I read an article on Mayapan, a prominent Post-Classic Maya city in the northwest Yucatán Peninsula, by Marilyn Masson. Posted in "Nature Communications," Masson, Principal Investigator for the Proyecto Economic de Mayapan, wrote that prolonged drought likely fueled civil conflict and its eventual collapse. So great was the city that it was considered the ancient capital of the Maya on the Yucatán Peninsula in the 13th century.

MAYAPAN

Mayapan (By En-Yucatán)

A latecomer to the pantheon of great Maya cities, Mayapan emerged as a regional capital on the Peninsula from the 13th to 15th centuries, after the demise of Chichen Itza. With a population of 20,000, it collapsed and was abandoned after a rival political faction, the Xiu, massacred the powerful Cocom family that ruled Mayapan. Historical records date the collapse between 1441 and 1461. But there's new evidence, thanks to Masson, professor and chair at University of Albany's Department of Anthropology, who co-authored the study which was assisted by a team of researchers. They studied historical documents for records of violence and examined human remains from the area and time period, looking for signs of traumatic injury.

Masson and her team found shallow mass graves and evidence of brutal massacre at monuments and structures across the city. "Some were laid out with knives in their pelvis and rib cages, others were chopped up and burned," she said. "Not only did they smash and burn the bodies but they also smashed and burned the effigies of their gods. It's a form of double desecration, basically." 

ADVANCED RADIOCARBON DATING TECHNOLOGY

Professor Douglas Bennett, University of California/Santa Barbara anthropolgy department, lead study on Masson's team, had new information to add. He dated the skeletons using accelerator mass spectrometry, an advanced radiocarbon dating technology, and found they dated 50 to 100 years earlier than the city's supposed mid-15th century downfall. 

Archeologists at Work

Plenty of ethno-historical records exist to support the city's violent downfall around 1458, said Masson. But the new evidence, thanks to Bennett's advanced radiocarbon dating tech, puts the evidence of massacre 100 years earlier. Combined with climate data that the Peninsula experienced prolonged drought around that time, the team began to suspect environmental factors may have played a major role in the desertion of the site along with the violent chaos that preceded that desertion.

RAIN AND MAIZE CROPS

The Maya depended heavily on rain-fed maize but lacked any way to store grain longer than a year due to the humid jungle climate. The impacts of rainfall levels on food production are believed to be linked to human migration, population decline, warfare, and shifts in political power, the study states.

"It's not that droughts cause social conflict but they create the conditions whereby violence can occur," Masson said.

WARS ENSUE

Location of Mayapan (By ResearchGate)

The study suggests the Xiu, who launched the fatal attacks on the Cocom of Mayapan, used the droughts and ensuing famines to foment unrest and rebellion that led to the mass deaths and the migration from Mayapan as early as the 1300s.

Said Masson, "I think the lesson is that hardship can become politicized in the worst kind of way. It creates opportunities for ruthlessness and can cause people to turn on one another violently."

It's hard to not compare our present news cycles with these past events.

Following this period of drought and unrest however, Mayapan bounced back briefly thanks to healthy rainfall levels around 1400.  "It was able to bend pretty well and bounce back before the droughts returned in the 1420s, but it was too soon," Masson said. "They didn't have time to recover and the tensions were still there. The city's government just couldn't survive another bout like that. But it almost did."

According to Jared Diamond, author of Guns, Germs, and Steel: The Fates of Human Societies, it's amazing how many cultures do collapse and one of history's disturbing facts is that collapse is caused by the destruction of the natural resources on which these cultures depend. The Anasazi, Easter Islanders, the kingdom of Angkor Wat in Cambodia...and the Maya. Declines of societies, he wrote, swiftly follow their peaks.

ON THE TAIL OF CHICHEN ITZA

Chichen Itza 

Mayapan rose to power in the footsteps of the decline of mighty Chichen Itza and after the great city-states of the south such as Tikal and Calakmul had gone into steep decline. During the late Postclassic Era (1250-1450 A.D.) Mayapan was the cultural and political center of the waning Maya civilization and had great influence upon smaller city states surrounding it. The sprawling complex spreads over four square kilometers and houses four thousand buildings. The ruins include temples, palaces and ceremonial centers, with architectural influence in the style of Chichen Itza. 

Tikal in Guatemala (ByLivescience.com)

Focusing on the present, as food insecurity, social unrest, and drought-driven migration in parts of the modern world continue to be of great concern, Masson said there are lessons to be learned in how other previous empires handled environmental hardships.

FAMINE OF ONE RABBIT

Pre-Spanish conquest, the Aztecs survived the infamous Famine of One Rabbit fueled by a catastrophic drought in 1454. The emperor emptied out the food storehouses from the capital to feed the people and when that ran out, he encouraged them to flee. Many sold themselves into slavery on the Gulf Coast where conditions were better but eventually bought their way out and returned to the capital, and the empire emerged stronger than ever. This strategy enacted by the Aztec imperial regime, said Masson, is likely what allowed for their recovery.

Her conclusion was that inspite of drought, civil conflict, institutional failure, and military conflict, a resilient network of small Maya states persisted that were encountered by Europeans in the early 16th century. (Just in time to be met, ironically, by the Spanish invasion).

HISTORY REPEATS?

In the face of present day climate change, these complexities and challenges faced by great Mexico and Central American civilizations are important as todays's world evaluates the potential success or failure of modern state institutions designed to maintain order and peace in the face of future climate change. Although Mayapan is a tale of only one city, correlations to present day world problems make the study of Mayapan extremely relevant now.

Climate change and its effects are real.

Maya 2012 Revealed: Demystifying the Prophecy

                                             by Jeanine Kitchel on Amazon

If you enjoyed this post, check out Where the Sky is Born: Living in the Land of the Maya, on Amazon. My website is www.jeaninekitchel.com. Books one and two in my Mexico cartel trilogy, Wheels Up—A Novel of Drugs, Cartels and Survival, and Tulum Takedown, are also on Amazon. And my journalistic overview of the Maya 2012 calendar phenomenon, Maya 2012 Revealed: Demystifying the Prophecy, is on Amazon.

DID 2012 MAYA CALENDAR'S LONG-COUNT END DATE USHER IN AN EPOCH OF CHANGE?

 

Scribe on Maya plate

Have we entered a new epoch that began in 2012? You may recall the 2012 Maya calendar kerfuffle. First off, the media got it wrong. The Maya never predicted the world would end on the last day of their thirteenth baktun in the Maya Long Count cycle. But Maya elders did say we were in for a time of transition. Is that transition now?

As a Mayaphile and student of Maya culture, I wrote Maya 2012 Revealed: Demystifying the Prophecy, to quash false information about the supposed "end date" in their Long Count calendar, one of 28 in the time-obsessed Maya system, that was being dangled like a piece of fresh meat before a pack of hungry wolves. The calendar simply rolled over into a new cycle and they started counting anew.

Maya Calendar (Historyonthenet.com)

But old habits die hard and just over a year ago a ruckus erupted over a tweet that suggested the Maya 2012 end of the world prophecy was off by a good eight years. That catapulted said end date smack dab into the cross hairs of 2020 —what a year that ended up being. 

The prediction however was not made by an eminent Maya academic or even a calendar researcher, but by plant biologist and Fulbright scholar at University of Tennessee, Paolo Tagalogquin. His Twitter account has since been deleted.

With ongoing global events, that very possibility—the world ending—may have crossed your mind.  And for the beginning of "the end" to start in 2020? Well, we've lived through two years of continuous threat from a raging pandemic still not fully in check. Let it be said some of us may have considered that to be a precursor of things to come. But it looks like we're still standing.

END OF 13TH BAKTUN

To explain biologist Tagalogquin's reasoning, apparently he did a math re-do on the Julian calendar that dates back to 8 CE and was used until the Gregorian or Christian calendar came into being in 1752. After his calculations, he came up with this tweet: "Following the Julian calendar, we are technically in 2012. The number of days lost in a year due to the shift into the Gregorian calendar is 11 days. For 268 years using the Gregorian calendar (1752 - 2020) times 11 days equals 2,948 days / 365 (per year) equals eight years."

The subtext: I assume you have your affairs in order.

Dresden Codex providing clues to Maya calendars (NGS photo)

Back in 2012, some believed December 21, 2012, might be the end. The media blared non-stop that this was when the Maya Long Count calendar completed a 5, 125 year cycle known as the 13th baktun. The ancient Maya, an advanced culture of mathematicians (they invented zero) and naked eye astronomers, viewed this moment as consequential.

CALENDAR SHUFFLE

Why is this even important? If the Maya code had not been deciphered a few decades ago, we wouldn't even have known that an end date to the Long Count calendar existed.

In researching the Maya end date, I realized that converting both Julian and Gregorian calendars to the Maya calendar had been no easy task. Spanish speaking priests were used for the conversion and needed to interact with the Maya who had their own language. Not only was there room for error in language differences, but the Julian calendar had gone through several trial runs over the centuries as the world coped with a one-time-fits-all calendar system.

During the conversion, some countries used different calendar renditions simultaneously, and some time in the 1500s while trying to play catch-up, eleven days were lost in a single month. My overall impression: whoever had been relegated to configure dates from Julian to Gregorian to Maya had stared down an impossible undertaking. And furthermore, who was their fact checker?

RIGOBERTA MENCHÚ CHEN

As the end date blossomed into a full-on media phenomenon, I took a wider view of the "Maya prophecy" as it came to be known. Great change doesn't happen overnight and can span decades or even centuries, and as with all things Maya, the present is determined by the past. Everything repeats. Everything is a recurring pattern.

Rigoberta Menchú Tum, Nobel Laureate

In 2012 Nobel laureate and author Rigoberto Menchú Tum, a Ki'che' Maya from Guatemala who was forced to leave her country when her government disappeared thousands of indigenous Maya, said this, "There are a lot of people speaking for the Maya with little respect for the sacred Maya calendar or the culture.

TIME DOES NOT EXIST

"For us, the Maya, during this phase, time does not exist. Time is completely dispersed. It is 'disordered time,' when the greatest breakdown of humanity will occur, plagued by loneliness, stress and fear.

"The Maya elders say if we do not take right action today, one-quarter of the people of the earth will perish."

Tum said this in 2012. Flash forward to 2020—especially the "plagued by loneliness, stress and fear" part of her quote and we can cast her as a Cassandra-like figure in light of the Covid pandemic. And we can all agree that in the past several years numerous issues have caused hardship: floods, hurricanes, raging fires, wars, racial inequality and unwarranted deaths. The stark reality of all the above drives away any hope for a soon to be bright future.

A MOMENT OF CHAOS

Maya Renaissance film by PeaceJam

In a documentary film, 2012: The True Mayan Prophecy, Dawn Engle and Ivan Suvanjieff, film makers and founders of the non-profit PeaceJam, interviewed Maya elders along with Menchú Tum. In the interview, Menchú Tum said we're living in a moment of chaos, and though there is global disorder, 2012 would usher in a more balanced period, if only we allow it.

DISORDERED TIME

"A new time is drawing near so it is important to maintain the light shining in these days, and our personal and collective light," she said. "We are passing through a period of disordered time which began in 1992 and will last forty years. There are things that happened that are not merely caused by people. It is the age, the energy, the cosmos."

TRANSITION TAKES TIME

In the film, Menchú Tum references her spiritual advisors, Maria Faviana Chocoy Alva and Pedro Celestino Pac Noy, who state that apocalyptic predictions misrepresent the true meaning of the end of the Maya Long Count cycle known as the thirteenth baktun. Their position is that this would be a time of great transition.

Calendar cycle cogs (By DK)

Who cannot agree that this is a time of transition, said Menchú Tum. "For humanity, it is the darkest of times. Humanity is being called to a great respon-sibility, affected by our actions. We call them natural disasters but they are not natural. Much pain is already occurring."

Again, Menchú Tum's sagacious predictions are synonymous with what we are presently living with—the human pain endured by the Covid pandemic, the earth's pain due to our disconnect from Mother Nature, and the atrocities humans have unleashed on the planet. Time, as the Maya might say, will tell.

                         **************

If you enjoyed this post, check out my other works, Where the Sky is Born: Living in the Land of the Maya. It's available on Amazon with tales of expat life and living within 100 miles of four major pyramid sites. Also, check out my website at www.jeaninekitchel.com. Books one and two in my Mexico cartel trilogy, Wheels Up—A Novel of Drugs, Cartels and Survival, and Tulum Takedown, are available on Amazon where you can find my overview of the 2012 Maya calendar phenomenon, Maya 2012 Revealed—Demystifying the Prophecy.