WOMEN IN ARCHEOLOGY: LINDA SCHELE—MAYA SCHOLAR, ARTIST, AUTHOR—GONE TOO SOON

 

Linda Schele at Palenque (Photo Justin Kerr)

It's hard for me to write about Linda Schele. Not just because she was so central to the study and understanding of the Maya culture, their writings, civilization and how the world came to view them, but because she was my gateway into understanding the Maya. Just several short months after I'd 'discovered' her by reading her works in my bookstore smack dab in the middle of Maya country, she died at 55 from pancreatic cancer in 1998 in Austin. Since it was pre-internet days and we were in rural Mexico I didn't learn of her death until five months later—a customer broke the news. I was devastated. Even though I only knew Linda Schele through the printed page, I felt I'd lost a friend.

A FOREST OF KINGS

Schele became my Maya mentor for a number of reasons. By way of introduction, A Forest of Kings: The Untold Story of the Ancient Maya, co-authored with David Freidel, held me rapt for days. Not only was she an author, she was a woman studying and doing, taking chances in archeology, predominantly a man's world at the time (and who's to say, probably still is). She was vibrant and exciting and wrote beautiful volumes about this mysterious civilization which bordered on the mystic but were firmly rooted in science. First and foremost an artist, she wove a story about the ancient Maya, who at the time were lauded yet elusive. Her work and writings were approachable. She made remarkable progress in a short period of time. She learned the names of Maya rulers, a true breakthrough. Along with fellow scholars Floyd Lounsbury and Peter Mathews, they were first to decode a Maya king's name, Pacal, in 1973, at Palenque's Mesa Rodunda. It was the first meeting of Maya archeologists, scholars and admirers, also known as the Maya Roundtable. Pacal, by the way, was Palenque's greatest and longest running ruler. Nothing like starting at the top, Ms. Schele.

THE CALL

How did Linda fall under the spell of the Maya? A graduate from the University of Cincinnati with degrees in education and art, she was teaching studio art at the University of Alabama. In 1970 she traveled with David, her husband, to photograph Mesoamerican sites in the Yucatan for the University's collection. The next year they returned to Mexico in an obligatory visit to Palenque. "When they arrived at Palenque, she was mesmerized," wrote famed Maya photographer, artist and scholar Merle Greene Robertson, who lived and worked on site.

Palenque Temple of Inscriptions (MacDuff Everton)

"The morning they left for Uxmal we said good-bye and hoped to see each other again" said Robertson. "At five p.m., guess who appeared at the door, Linda. They'd been to Uxmal but turned around and returned to Palenque. It was the beginning of a long, dear friendship."

Meeting Robertson, her most important mentor during the early stages of her new voca-tion, drew Schele into the world of the ancient Maya, their art and their system of hieroglyphic writing, at the time not fully understood.

Schele described her trajectory like this: "I was a fair to middling painter who went on a Christmas trip to Mexico and came back an art historian and a Mayanist."

UNVEILING A DYNASTY

Schele went on to become world famous and a leading authority in her new field. She believed her background in art assisted in seeing the Maya writing in an unencumbered, less scientific manner. Soon Linda's speciality was decoding Maya hieroglyphics, especially after the 1973 Mesa Rodunda at Palenque. Prior to that, though greatly studied by epigraphers and iconologists, no one had much luck deciphering them. 

How Glyphs Were Read by Schele and Others

Concerned that Maya research was limited to a few experts with special access to key resources, Robertson's brainstorm for the Palenque gathering drew authorities, students, and local Mayanists together to hash things out. Schele, along with Mathews, an undergraduate who'd spent a year working on famed archeologist Eric Thompson's T-numbers—the only 'de-coding' attempt so far at breaking the Maya glyphs—began piecing together Palenque's history using what was called the Tablet of 96 Glyphs. Researchers understood this to depict a line of royal accession, and within hours, through a combination of luck and Mathew's intimate knowledge of glyphs, they unveiled most of Palenque's dynastic history, including the aforementioned ruler Pacal. This achievement became the stimulus that led to many later discoveries by Schele and other scholars. 

Merle (center), Fellow Scholars and Linda (right)

VERTICAL ASCENT

Schele's accomplishments moved vertically. In 1975-76 she was a fellow in pre-Columbian studies at Dumbarton Oaks, D.C., while also working with fellow scholars to accelerate the process of Maya hieroglyphic decipherment through word order in Maya inscriptions. In 1980 she was awarded a Ph.D. in Latin American Studies and her dissertation, Maya Glyphs: the Verbs, 1982, won The Most Creative and Innovative Project in Professional and Scholarly Publications, by Association of American Publishers.

In 1977 she founded the Maya Hieroglyphic Workshop at Texas. These meetings, held at UT/Austin, have become a major source for many significant epigraphic discoveries made about ancient American civilization over the last two decades.

In 1981 she continued her teaching career in the Department of Art/Art History at the University. In 1988 Schele was named the John D. Murchison Professor of Art at University of Texas.

In 1986 she organized a ground breaking exhibition of Maya art, The Blood of Kings: Dynasty and Ritual in Maya Art. The catalog, co-authored with Mary Miller, continues to be used as a major text for the field and was awarded The Alfred Barr Award of College Art Association for the Best Exhibition Catalog/1986.

CONTEMPORARY MAYA

Also in the mid-80s she expanded her academic interest to include the culture of the contemporary Maya. Along with two colleagues, she organized and presented 13 workshops on hieroglyphic writing to Maya speaking peoples of Guatemala and Mexico in order to re-introduce hieroglyphic writing and interest of the ancient Maya to the modern Maya. The Maya trained in these workshops are now actively engaged in the translation of the writings of their ancient ancestors and tutoring others to do so. Working with young Maya was her most cherished activity.

For general public interest she actively promoted making scholarly research accessible to the general public which included the annual Maya Meetings at Texas. She made numerous speaking arrangements around the world, took tours of Mesoamerican sites by Far Horizons, and wrote three more books: Maya Cosmos: Three Thousand Years on the Shaman's Path, co-authored with Freidel and Joy Parker, 1993; Hidden Faces of the Maya, 1997; and The Code of Kings: The Sacred Landscape of Seven Maya Temples and Tombs, co-authored with Peter Mathews.

Code Breakers Peter Mathews and Linda Schele, Palenque 1973 (R. Thornton)

In a 25-year period, Schele produced a number of important works on ancient Maya art, culture and writing. But she was also a hands-on Mayanist who traipsed to and explored numerous pyramid sites from Mexico to Belize and Guatemala, looking at each Maya cityscape for symbols, clues to their astronomy, meanings of rituals deciphered from hieroglyphs, and the legacies the Maya left behind. Schele's unique combination of art, history and teaching gave her a fresh and unique overview of the civilization she came to love, know, and help bring to light. Her influence on how the world views the ancient Maya is unparalleled. RIP Linda Dean Richmond Schele.

Linda Schele and Bust of Pacal

If you enjoyed this post, check out  Where the Sky is Born: Living in the Land of the Maya, on Amazon. My website is www.jeaninekitchel.com. Books one and two in my Mexico cartel trilogy, Wheels Up—A Novel of Drugs, Cartels and Survival, and Tulum Takedown, are also on Amazon. And my journalistic overview of the Maya 2012 calendar phenomenon, Maya 2012 Revealed: Demystifying the Prophecy, is on Amazon.

MAYA WOMEN OF POWER — HOLY SNAKE LORD LADY K'ABEL, SUPREME WARLORD, PART 2

 

Rendition of Stela 44 Honoring Lady K'abel at Her Burial Site

Until fifteen years ago, Maya warrior queens were not the stuff of conversation much less legend in archeological circles. The idea was too far-fetched. The Maya hieroglyphic code had only been broken a few decades earlier in the 1970s at the famous Palenque Round Table talks in southern Mexico. Dozens of the world's finest archeologists and scholars gathered at the great site to put their heads together and try to break the problematic code. Besides that, hundreds of Maya sites had yet to be excavated. And no one had a clue as to how many sites were still undiscovered.

But in 2004, everything changed. Archelogist Kathryn Reese-Taylor, University of Calgary, headed a dig at a relatively unknown site, Naachtun. Sitting between powerful Tikal and Calakmul in the Yucatán lowlands of southern Mexico and northern Guatemala, Reese-Taylor and her team spent three months excavating the area. Their search proved fruitful and uncovered Lady Yohl Ik'nal, the Maya's first recorded female ruler, in 623 AD. (See Maya Warrior Queens Part 1, October 1 blog).

Maya queens rose to power after a seismic geo-political shift occurred in the mid seventh century. Power was moving into the area of the central lowlands and its vast forests in the middle of the Yucatán Peninsula.

Stela 34, Lady K'abel found in El Perú-Waka' 

ENTER LADY K'ABEL

In 2012 archeologists discovered the royal tomb of Lady K'abel, queen of the abandoned city El Perú-Waka', located in northern Guatemala between powerhouses Calakmul and Tikal. Known as the Centipede Kingdom, it played second fiddle to Calakmul, Snake Kingdom, that sat to the northeast. In a political power play, Lady K'abel, daughter of the ruler of Calakmul, was married to Tikal's ruler Kinich Balam II to serve as governor of El Perú-Waka' on her father's behalf. Archeologist Olivia Farr-Navarro (College of Wooster), a leader on the team, said they excavated the royal burial site located beneath a stairway platform located at the foot of the main Maya pyramid temple on site.

Archeologist Olivia Farr-Navarro at El Perú-Waka'site during excavation

STELA SHEDS LIGHT ON LADY K'ABEL

Until this discovery, scholars had known Lady K'abel as the Kaloomte', a Maya high king or queen who is military leader, the highest power in the kingdom. But Lady K'abel was hardly anonymous to those who studied the Maya. She had previously been identified by a stela (large limestone slab placed in front of a pyramid with hieroglyphic writing) that is on display at the Cleveland Art Museum, known as Stela 34 of El Perú. In it she is shown as a queen in warrior dress.

Investigation of this platform started before 2006 when Farr-Navrro studied under archeologist and author David Freidel, Washington University in St. Louis, and co-director of the site with Guatemala's Juan Carlos Pérez. El Perú-Waka' was being excavated by Freidel's team and planned to not simply uncover tombs but to focus on studying "ritually-charged" features such as shrines, altars, and dedicatory offerings.

CENTER OF RITUALS AND SACRIFICES

The city had long been a center of ritualistic activity and sacrifice, and signs implied it retained that significant presence long into the post-collapse era of the Maya after 900 AD when kings no longer ruled.

"The platform is the central focus point of the plaza in front of the largest temple at the site," said Farr-Navarro about El Perú-Waka'.  It was in a position of power.

Carved conch with woman's face emerging

As they dug at the foot of the staircase, long overshadowed by the platform, they found the entombed bones of a woman, surrounded by jade, fine pottery, and other signs of royalty. Most remarkable was a small alabaster jar carved to resemble a conch with a woman's face emerging from the shell as a stopper. The hieroglyphs for Lady K'abel's name were on the bottom.

WHITE SOUL FLOWER JAR DISCOVERED

The vessel, says Farr-Navarro, was most likely the "white soul flower" jar of Lady K'abel. Painted with red cinnabar, in ancient Maya mythology the flower jar essentially contained the soul of Lady K'abel. Though items can be moved around as a sign of veneration in burials, the white soul flower jar is an inalienable item that "could not be removed from her person," Farr-Navarro claims.

Clocking in to agree with Farr-Navarro's premise is archeologist Traci Ardren, from University of Miami, FL, and author of Ancient Maya Women. Though not part of the excavation, Ardren stated, "I'm completely convinced this was her tomb. The alabaster jar is really strong evidence."

The tomb site had been under study for almost a decade. Freidel and colleagues found artifacts suggesting a high-ranking female personage had been buried there, and Lady K'abel was the number one candidate. But it took the alabaster jar, small enough to fit in a queen's hand, to clinch the case. Carved to look like a shell, with head and arm of an aged woman emerging from the opening, four Maya hieroglyphs carved into the jar referred to the owner: Lady Snake Lord and Lady Waterlily Hand, two titles associated with Lady K'abel. Other artifacts found in the tomb suggest the person buried there was held in great reverence—red cinnabar pigment was used by the Maya in royal burial chambers and again, the white soul flower vessel, thought to hold one's soul, is specified in several Maya religious texts.

THE MAYA REVERED POWERFUL WOMEN

This find underscored the powerful role women played in the Maya world. At least eight women attained the Kaloomte' title held by Lady K'abel, Ardren said. Queens ruled at various times across the Maya world with standardized symbols for their titles. Though they may have been uncommon, they were not rare. And veneration of a powerful woman's tomb centuries after her death would not be so unusual. 

Alabaster jar on site with inscriptions of Lady K'abel

"She was married off for the greater good of the alliance between two cities. She left everyone and everything she'd known to travel to another city at a time of warfare."

A plate found on the left side of Lady K'abel's skeleton resembles a shield that would befit a warrior queen, Farr-Navarro explained. "Although it wasn't likely she'd fought in the rain forest battles that marked her reign, she was certainly not a shrinking violet."

Professor Freidel summed up the prime positioning of Lady Ka'bel's tomb: "In retrospect, it makes sense that the people of Waka' buried her in this particularly prominent place in their city. Archeologists now understand the likely reason why the temple wa so revered: K'abel was buried there."

LADY K'ABEL CONSIDERED GREATEST RULER OF LATE CLASSIC PERIOD

"Lady K'abel was considered the greatest ruler of the Late Classic period, and ruled with her husband, King K'inich Bahlam II for at least 20 years, from 672-692 AD," said Freidel. "She was the military governor of the Waka' kingdom for her family, the imperial house of the Snake King, and she carried the title Kaloomte' which translated to Supreme Warrior, higher even in authority than her husband, the king.

Figurine at El Perú site thought to be Lady K'abel

"She was not only a queen, but a supreme warlord, the most powerful person in the kingdom during her lifetime. That would put her in the same class as other ruling women of the ancient world, ranging from the biblical Queen of Sheba to Cleopatra."

After Lady K'abel's reign, Tikal's ruler continued their war against Waka' and Calakmul. By the middle of the eighth century, Tikal bested their rivals in the Maya superpower struggle. But by the middle of the ninth century, the Classic Maya civilization was on the way to its mysterious collapse.

In spite of that, even long afterwards, the lady's tomb remained a place of ritual, reverence, and pilgrimage for the Maya, apparently serving as a monument to a take-charge woman warrior who had gained her people's love and respect.

Part 3 in Maya Warrior Queens will include two more women rulers. If you enjoyed this blog, check out my memoir Where the Sky is Born: Living in the Land of the Maya. It's available on Amazon with tales about ex-pat life and living within 100 miles of four major pyramid sites. Subscribe to my bi-monthly blog posts above, or check out my website at www.jeaninekitchel.com. Books one and two in my Mexico cartel trilogy, Wheels Up—A Novel of Drugs, Cartels and Survival,  and Tulum Takedown are available also on Amazon.