ARCHEOLOGISTS AND SCHOLARS ASSIST IN CURBING LOOTING OF MAYA ANTIQUITIES

 

Chichen Itza

“Tombs are robbed, temples are looted, all to feed the international market for antiquities.” Donna Yates, Archeologist and Lecturer in Antiquities Theft and Art Crime, The Netherlands.

In 1997 we drove across Mexico in our Ford Focus wagon, loaded to the nines with our belongings and cat, heading towards a new life on the Mexican Caribbean coast. Our hearts quickened after passing Escarcega. At the end of that lonely 200-mile stretch of road, we'd cross from the state of Campeche into Quintana Roo. Then we'd be homeward bound.

As we left Escarcega in the rearview mirror, the road narrowed and we settled in for the long drive ahead. We decided we’d take a break halfway when we got to some little known pyramids, have a sandwich, and let Max, then just a kitten, walk around.

I'd read about this quartet of pyramids—Kohunlich, Becan, Chicanna, and Xpuyil—near the ceremonial center Calakmul. Though these sites didn't have the star power of Chichen Itza or Tulum, Kohunlich, known for its Temple of the Masks, had gained fame in 1971 when looters tried to sell one of its huge stucco masks to New York's Metropolitan Museum of Art.
We saw no other cars on the road and around 4 p.m. we passed Chicanna. Soon after, I spotted the tower of Xpuyil. "Want to stop?" I asked Paul.

He nodded and we drove down a deserted sascab lane through an open chainlink gate into an empty parking lot. I pulled myself from the car while Paul saw to Max. I stretched, went to the car’s back end to find the cooler and brought out pre-made tuna sandwiches. I called to Paul.

He'd put Max back inside the car. We leaned against the door, ready for our snack. After eating I wanted to have a quick look around the site. Just as I bit into my lunch, a white, older model International pulling a sizable tarp-covered trailer drove into the parking lot, leaving dust in its wake. Two men sat inside; an older man was driving.

The vehicle was 300 feet away when the guy riding shotgun jumped out. He was young and lanky and moved quickly across the lot. The truck had Canadian plates and the driver kept the engine idling.

"Weird. Why'd just one guy get out and why didn’t the driver turn off the engine?"

"It is weird," Paul said. We both watched the younger man dart through an opening in the fence and run along the path that led to the site.
With the truck still idling, we viewed the scene warily. "I don't feel good about this."

"Me neither. What are they doing?”

Paul started pushing things into the way-back. I followed his lead and closed the cooler, holding my sandwich in one hand as I tossed things into the car.

"Let's get out of here. Something’s not right. Are they scouting for artifacts? Why the trailer?”

"Not good,” Paul agreed. “And that tarp? Max is inside. Let's go."

The International had parked at just the right angle so we couldn't see the driver, as though that outcome was planned. If these guys were grave looters, we didn't want to be around when INAH (National Institute of Anthropology and History) discovered them, or worse, the federales. Stealing artifacts is a serious crime.

Paul started the car and headed down the narrow driveway that led to the highway. The International was still idling when I turned around to give it one last look.

"Grave looters?"

"We don't want to know," Paul said as he eased onto the uneven asphalt, revved the engine and we headed towards Chetumal.

IS ANTQUITY THEFT THE WORLD'S SECOND OLDEST PROFESSION?

Antiquity looters come in many guises—unassuming tourist types, locals, businessmen looking to make a buck, collectors.

Art theft is big business. It’s a ‘trade’ worth billions. Ask any dealer of antiquities. And as the international appetite for Maya culture grows so does the hunger for illegal artifacts.

As long as there's poverty in undeveloped countries where ancient civilizations once stood, you can bank on it. Some art dealers call it the world's second oldest profession. 

“Any country in civil war or conflict is ripe for antiquities looting,” says Tess Davis, legal expert and archeologist from Boston University. When conflict erupts in an archeological rich country, the world art market is suddenly flooded with antiquities from that country. Looting becomes a means of subsistence when homelands are war-torn.

THE RISE OF NARCOTICS TRAFFICKING

"This is not just a white collar crime. Insurgents, terrorists, are using the antiquities trade to fund their efforts. Unless we get it together soon, I fear there will be nothing left," Davis said in a lecture titled "Tomb Raiders and Terrorist Financing," for Boston University alumnae.

Most organized trafficking groups dealing drugs and other commodities are business savvy these days and have diversified portfolios. As with real estate, logging and iron ore, the prices antiquities command are too high for them to ignore.

Compared with well known ancient civilizations in Europe and Western Asia, archeological interest in Maya culture came relatively late, partially due to the forbidding nature of the jungles. The outside world was first exposed to Maya pyramids through the writings and drawings of explorers John Lloyd Stephens and Frederick Catherwood in the 1840s. Their memoirs about their early adventuring shone a light on the Maya. 

Soon other adventurers trekked through the Peninsula, conducting rudimentary recordings of archeological sites with limited removal of Maya artifacts. The first excavations were not conducted until the 20th century.

THE BEGINNINGS

Art and antiquity, according to Donna Yates in her thesis, "Displacement, Deforestation and Drugs: Antiquities Trafficking and Narcotics Economies of Guatemala," underwent a huge upheaval in the first half of the 20th century. Aestethic tastes in contemporary art shifted to modern looks and an interest was taken in tribal art. Ancient cultural objects originating from Africa, Asia, and the Americas bore a distinctly different look from classic Western models. 

They didn't conform to familiar Greek and Roman styles and demand grew as connections from them were drawn to famous artists of the day such as Picasso, Kahlo and Rivera. Soon, powerful collectors began to source them from their countries of origin.

At the time, 1957, Nelson Rockefeller founded the Museum of Primitive Art in New York. This was a watershed for the collection of Maya and other primitive cultural properties. The Maya were on the market.

THE MAYA PURGE

Endemic looting of nearly every known Maya site began around 1960, Yates’ thesis explains. Collectors and museums, inspired by Rockefeller, were looking to fill the Maya gap and demanded the best the Maya had to offer. 

Clemency Coggins, a professor of Archeology and Art History at Boston University, wrote decades ago,"In the last ten years there has been an incalculable increase in the number of monuments systematically stolen, mutilated, and illicitly exported from Guatemala and Mexico in order to feed the international art market. Not since the 16th century has Latin American been so ruthlessly plundered.”

RANSACKING RUINS

Coggins’ landmark paper is often credited with exposing the gravity of the situation. It characterizes the 1960s as a time when bands of looters moved freely through the region, particularly in the heavily jungled regions of Guatemala's Peten, mutilating large stone monuments with power tools. Countless Maya sites were looted before they were even located by archeologists. "It was a terrible time," she wrote.

Unfortunately this meant that large carved stone stelas that depicted the events of Maya rulers and their recorded histories along with large architectural treasures from Maya temples were plundered from where they stood.

In order to understand any individual site, it's imperative for archeologists to know the provenance of a stela or piece. Without dates and locations it's impossible to place the site, the structure, even the timeline of looted antiquities.

But looters cared not for the history of the Maya. They had one mission only: how to remove stela that could be 20 feet high, weighing several tons from inaccessible jungles. Taking a power saw to a stela and cutting it vertically removed the face of it. Often they would cut that into quarters to make for easier shipping. The pieces could be sold off separately. Sometimes the inscriptions along the sides were damaged by the mutilation.

This plundering set the archeology world back several decades in trying to break the Maya hieroglyphic code.

“The 1960s looting of the Peten is tied to two jungle economies: the trade in rare hardwoods and tapping gum trees for chicle. In both instances, men (usually) at the bottom of the supply chain moved through vast tracts of wilderness searching for different tree types. In doing so, they encountered poorly protected remote sites as well as Maya cities yet unknown to archeologists,” Coggins wrote.

CHICLEROS PLAY BOTH SIDES

Chicleros, as chicle hunters are known, are credited with locating many important sites in the Peten—including Xultun and even Calakmul, the famous Heritage site. Early in the 20th century, archeologists worked closely with these men, paying them for info about new sites and monuments. But when chicle prices bottomed in the 1970s, financial gains for looting and trafficking antiquities grew. Chicleros could expect higher rewards for reporting an unknown site to a trafficker than to an archeologist. And they could even be employed in the demolition, for added revenue.

Said Victor Segovia, archeologist, as he peered at the damage of a Xultun temple literally cut through the middle, “I believe four more heads lie beneath the rubble but I won’t remove them until I’m certain they’ll be protected. The humans are more poisonous than snakes,” he told reporters, there to view looting damage at the overgrown jungle site.

With antiquity looting in the news, museums world-wide are being forced to return archeological gems to the country of origin. It may be too little too late, but with applied pressure from the U.N. and worldwide cultural ministers, slow progress is being made. And now at long last, the cat’s finally out of the bag.     

Mask at Kohunlich. Photo Dan Griffin 

If you enjoyed this post, check out  Where the Sky is Born: Living in the Land of the Maya, on Amazon. My website is www.jeaninekitchel.com. Books one and two in my Mexico cartel trilogy, Wheels Up—A Novel of Drugs, Cartels and Survival, and Tulum Takedown, are also on Amazon. And my journalistic overview of the Maya 2012 calendar phenomenon, Maya 2012 Revealed: Demystifying the Prophecy, is on Amazon.

TRAGIC ROMANCE OF THE YUCATÁN—FELIPE CARRILLO PUERTO AND ALMA REED

 

Two names forever linked to the Yucatán are Felipe Carrillo Puerto, Yucatan’s progressive governor, and San Francisco journalist Alma Reed. Their love affair fueled pages in newspapers on both sides of the border but the unlikely outcome of this very public romance enlisted all the elements of Greek tragedy.

Reed, born in San Francisco, became one of the city’s first women reporters.  An advocate for the poor, she assisted a Mexican family in commuting their 17-years old son’s death sentence in 1921. The story was picked up by the Mexican press. Due to heightened publicity, Mexico President Alvero Obregon invited Reed to visit his country.

ENTER EDWARD THOMPSON

As a stringer correspondent for The New York Times, Reed was sent to meet Edward Thompson, lead archeologist excavating Chichen Itza.  During the visit, Reed met Felipe Carrillo Puerto, governor of the State of Yucatan.

Carrillo had commissioned a road from Merida to Chichen Itza, opening the budding archeological site to tourists and scientists.  To commemorate the event, he organized a welcome ceremony inviting North American journalists and archeologists.

UXMAL AND CARRILLO

At the ruins, Reed interviewed Thompson who’d traveled to Yucatán specifically to excavate Chichen Itza. Thompson took a liking to Reed and recklessly divulged he had dredged Chichen Itza’s sacred cenote and had taken gold and jewelry from the sacrificial victims. Astonished by the enormity of his admission, like the true-born paparrizis she was, Reed asked Thompson to sign a confession. He did.

Felipe Carrillo Puerto in Yucatán

After Chichen Itza, the entourage left for Uxmal. During this leg of the journey Reed and Carrillo got acquainted. Reed was fascinated with the charismatic Carrillo who had been called both a Bolshevik and a Marxist for his sweeping reforms.

In Reed’s interview, Carrillo explained Yucatan had been inhabited by a handful of powerful families dating to Merida’s founding in1542. These wealthy landowners were basically slave masters and notorious for their cruel treatment of the Maya. 

REVOLUTIONARY IN THE MAKING

 In 1910 Carrillo had fought alongside Emiliano Zapata in Central Mexico. From their association he took Zapata’s battle cry, Tierra y Liberdad for his own. Back in Yucatan, Carrillo claimed part Maya, part Creole heritage and began his reforms by setting up feminist leagues that legalized birth control and the first family planning clinics in the western hemisphere. As governor he seized uncultivated land from powerful hacendados and distributed it to the Maya, stating it was their birthright. He built schools. He reformed the prison system.

It was no small wonder Reed named him the Abraham Lincoln of Mexico. As a liberal she agreed with his reforms; on a personal note, she was smitten. But as a divorceé and Catholic she tried to ignore feelings she was developing for the married father of four. She left for the U.S., vowing never to return, hoping to severe ties in what was becoming amor calido (romance of the steam).

The New York Times had other plans however, and sent her back to Mexico to cover the archeology scandal that erupted due to Edward Thompson pillaging the Chichen Itza cenote. Reed had a job to do.

On her second round in Mexico, neither Reed nor Carrillo could ignore their feelings. In the ultimate taboo, Carrillo divorced his wife to become engaged to Reed. He even had a romantic song composed for her, La Peregrina (The Pilgrim).

The two idealists prepared for their wedding that would take place in San Francisco.  Reed hastened back to the City to make arrangements before her permanent move to Mexico.

SEND LAWYERS, GUNS AND MONEY

Shortly after Reed’s departure, however, another revolution seemed imminent. Fighting had broken out in the Yucatan. Henequen planters and hacendados wanted to overthrow Carrillo. President Obregon’s right hand man, de la Huerta, was opposing him and because Carrillo backed Obregon, he was also at risk. Carrillo was forced to find guns to fight both the planters and de la Huerta’s forces. To make matters worse, he now had a $250,000 reward on his head.

To secure guns and ammo, Carrillo went by night to the Progreso coast with three brothers and six friends as guards.  Just as they waded out to the launch they would sail to New Orleans where they’d acquire firearms, a Navy captain signaled to soldiers lying in wait on shore.  The soldiers rowed out and captured Carrillo who told his small group not to fight, but to go peacefully.

 De la Huerta’s forces took them back to Merida, jailed them for the night and planned an arraignment in the morning.  Carrillo refused to make a plea. He was, after all, governor of the Yucatan, and refused to recognize a kangaroo court.  He was condemned on January 3, 1924, and taken to Merida Cemetery where he, his brothers and friends were lined up against the wall to await the firing squad.  The first round of volleys was sent over their heads; the soldiers didn’t want to kill them, so fiercely local were the Yucatecans to Carrillo.

The commander ordered those soldiers to be shot, and over the dead bodies of the first soldiers, Carrillo, his brothers and friends were executed as they stood with their backs against the cemetery wall.

A MARTYR'S DEATH

 In San Francisco, Reed had been alerted that trouble was at hand. She heard the news shortly after Carrillo had died a martyr’s death, at 49.

Grave Carrillo Puerto. Photo Barbra Bishop

She returned to Merida to see the spot where Carrillo fell.  She stayed but briefly, and on arriving back to New York, was sent on assignment to Carthage to explore ancient ruins.  She would never re-marry. Her reporting life took her back to Mexico where she helped establish the artist José Clemente Orozco.

One of Reed’s fears was that Obregon had a hand in Carrillo’s death.  He had, after all, assassinated Emiliano Zapata after luring him to a truce with Pancho Villa. Reed thought Carrillo’s radicalism may have aroused opposition from the Mexican president, but she could never prove it.

The pueblo Chan Santa Cruz, south of Tulum, changed its name to honor the governor, and now is known as Felipe Carrillo Puerto.  Alma Reed died undergoing surgery in Mexico City, November, 1966. She was 77.  

Statue at Assassination Site of Felipe Carrillo Puerto. Photo Barbra Bishop

If you enjoyed this post, check out  Where the Sky is Born: Living in the Land of the Maya, on Amazon. My website is www.jeaninekitchel.com. Books one and two in my Mexico cartel trilogy, Wheels Up—A Novel of Drugs, Cartels and Survival, and Tulum Takedown, are also on Amazon. And my journalistic overview of the Maya 2012 calendar phenomenon, Maya 2012 Revealed: Demystifying the Prophecy, is on Amazon.

NANCY DREW AUTHOR HAD DEEP ATTRACTION TO MEXICO AND THE MAYA WORLD

Who of us girls as young teens did not love Nancy Drew? The sleuth known for her voracious appetite for getting into trouble, being at the center of crime scenes and mysteries? Who taught us how to signal SOS with a tube of lipstick, break out a window using spike heels, and remember to always keep an overnight bag in the car, just in case?

CAROLYN KEENE? UMM, NO

For years I thought Carolyn Keene was Nancy's author but later discovered Keene was a pen name for Mildred Wirt Benson. The prolific Benson would write 135 of the first Nancy Drew detective tales that came to shape Nancy's "steely bravery," according to an article by Jennifer Fisher in "Zócalo." Benson's image of Nancy would create "the tenacious, bold and independent heroine we have come to know."

Mildred Wirt Benson aka Carolyn Keene

The real author of our favorite girl detective was an Iowa homegrown born in 1905, daughter of a country doctor, and the first student—male or female—to earn a masters degree in journalism from University of Iowa (later home to Iowa Writers Workshop). For 50 years Benson worked in journalism while penning famous mysteries, covering the courthouse beat, crime and corruption at "The Toledo Blade" and "The Toledo Times."

HEADING TO NYC

As a child, Benson was an avid reader of children's classics. Her first short story, "The Courtesy," appeared in "St. Nicholas," a children's magazine, and won her second place in a monthly contest. Finding Iowa too dull for a woman with an agenda, she ventured to NYC and landed a job with an icon in publishing, Edward Stratemeyer. In 1934, "Fortune Magazine" said of Stratemeyer, "As oil and gas has its Rockefeller, literature has its Stratemeyer."

Stratemeyer published The Bobbsey Twins and The Hardy Boys and famously hired ghost writers for a flat monthly fee. Benson's pen name remained a mystery until the 1970s when researchers discovered Benson was the Oz behind the curtain. During the Great Depression and WWII, parents were candid with their children, according to Fisher's article, and didn't hide life's gravities. Enter Nancy Drew, a new kind of heroine for a new age of young girls. Stratemeyer penned a three-page outline for Benson and depicted Nancy as an "up-to-date American girl at her best—bright, clever, resourceful, and full of energy."

TREATED AS AN EQUAL

In 1973 Benson wrote an essay about her famous heroine, stating Nancy was treated as an equal by her father and by many in law enforcement and she never gave up when the going got tough. Her spirit struck a chord. Nancy Drew personified "the dream image which exists within most teenagers," Benson said. According to Fisher's article, this 1930s teen remained culturally relevant for more than 80 years, even as young women's roles changed dramatically. Mothers and grandmothers passed the books down to their daughters. "Women still tell me how they identified with Nancy Drew and that Nancy Drew gave them confidence to be whatever they wanted to be," Benson said in an interview in 1999.

In 1928 she married an AP telegraph operator, Asa Wirt. In 1936, he was transferred to Chicago, and that same year, her daughter Margaret Joan Wirt was born. Neither change of location nor motherhood would deter her, however, from her writing, but things petered out with Stratemeyer as he tried out various other story lines. In 1940 Asa had a stroke. AP transferred him to Toledo, Ohio. He had another stroke in 1943 and permanently left his AP job. These were hard years for her family especially as WWII was raging. But for Mildred, this gave her an opportunity. "The Toledo Times" took on female reporters for the first time, under the stipulation that they knew once the war was over, their work days would be numbered. In 1947 Asa died from complications with another stroke. 

Her mother came to live with her and her daughter while Mildred reported for the newspaper. In 1950 she married Edward Benson, an editor at "The Toledo Times." These years were happy ones and they traveled to Puerto Rico and Central America where Mildred gained a fascination with the Maya ruins. In 1959, enroute to Puerto Rico, Benson died unexpectedly. 

The next years again were hard as she worked the beat at her newspaper gig. Another juvenile publisher asked if she would consider writing young adult books, but she felt the world had changed too much, and she decided to focus on her reporting, now at "The Toledo Blade."  

MAYA CONNECTION

As she always loved to travel and loved the Maya pyramids, she began to charter bush pilots to visit less accessible archeological digs. She canoed down the Usumacinta River to Yaxchilan on a three-day trip with local guides. "I used to hang my hammock in Maya temples, and once, when no other shelter was available, I hung it in a corn crib. Those were my adventurous days." 

Canoeing Down Usumacinta River

She traipsed through crocodile-infested rivers and hacked her way through jungles with a machete. She trained as a pilot in the 1960s and took solo trips to Guatemala. Benson was becoming her own best role model for the very Nancy Drew we all came to love. 

In a particularly harrowing Nancy Drew-like experience, she was even locked inside a room in Guatemala by locals who thought she knew too much about criminal activity in their town. Channeling Nancy, she overpowered one of her captors and escaped. "Like any good sleuth," reporter Fisher went on to explain, "she later returned to Guatemala to learn more about what had happened to her."

Mildred Wirt Benson in Skywriter

THE SMITHSONIAN

In the 1990s, twenty years after dedicated Nancy Drew lovers had discovered Keene's real name and ID'd Mildred Wirt Benson as Drew's creator, Benson donated a series of papers she'd written about her heroine, along with her trusty Underwood typewriter used for creating Nancy, to the Smithsonian where it sits to this day. And finally, the mystery author got public credit by her native Iowa in 1993 when the University of Iowa had a Nancy Drew Conference. That same year, she was named Person of the Week by ABC's Peter Jennings.

Mildred Wirt Benson's Trusty Underwood

Asked later if she would ever give up writing, Benson said, "The undertaker will have to pry me away from my typewriter." That's pretty much what happened. At 96, in 2002, she was sitting at her trusty Underwood when she died. 

Unintentional Feminist (From CBC.ca) 

If you enjoyed this post, check out Where the Sky is Born: Living in the Land of the Maya, on Amazon. My website is www.jeaninekitchel.com. Books one and two in my Mexico cartel trilogy, Wheels Up—A Novel of Drugs, Cartels and Survival, and Tulum Takedown, are also on Amazon/ And my journalistic overview of the Maya 2012 calendar phenomenon, Maya 2012 Revealed: Demystifying the Prophecy, is on Amazon.

DID 2012 MAYA CALENDAR'S LONG-COUNT END DATE USHER IN AN EPOCH OF CHANGE?

 

Scribe on Maya plate

Have we entered a new epoch that began in 2012? You may recall the 2012 Maya calendar kerfuffle. First off, the media got it wrong. The Maya never predicted the world would end on the last day of their thirteenth baktun in the Maya Long Count cycle. But Maya elders did say we were in for a time of transition. Is that transition now?

As a Mayaphile and student of Maya culture, I wrote Maya 2012 Revealed: Demystifying the Prophecy, to quash false information about the supposed "end date" in their Long Count calendar, one of 28 in the time-obsessed Maya system, that was being dangled like a piece of fresh meat before a pack of hungry wolves. The calendar simply rolled over into a new cycle and they started counting anew.

Maya Calendar (Historyonthenet.com)

But old habits die hard and just over a year ago a ruckus erupted over a tweet that suggested the Maya 2012 end of the world prophecy was off by a good eight years. That catapulted said end date smack dab into the cross hairs of 2020 —what a year that ended up being. 

The prediction however was not made by an eminent Maya academic or even a calendar researcher, but by plant biologist and Fulbright scholar at University of Tennessee, Paolo Tagalogquin. His Twitter account has since been deleted.

With ongoing global events, that very possibility—the world ending—may have crossed your mind.  And for the beginning of "the end" to start in 2020? Well, we've lived through two years of continuous threat from a raging pandemic still not fully in check. Let it be said some of us may have considered that to be a precursor of things to come. But it looks like we're still standing.

END OF 13TH BAKTUN

To explain biologist Tagalogquin's reasoning, apparently he did a math re-do on the Julian calendar that dates back to 8 CE and was used until the Gregorian or Christian calendar came into being in 1752. After his calculations, he came up with this tweet: "Following the Julian calendar, we are technically in 2012. The number of days lost in a year due to the shift into the Gregorian calendar is 11 days. For 268 years using the Gregorian calendar (1752 - 2020) times 11 days equals 2,948 days / 365 (per year) equals eight years."

The subtext: I assume you have your affairs in order.

Dresden Codex providing clues to Maya calendars (NGS photo)

Back in 2012, some believed December 21, 2012, might be the end. The media blared non-stop that this was when the Maya Long Count calendar completed a 5, 125 year cycle known as the 13th baktun. The ancient Maya, an advanced culture of mathematicians (they invented zero) and naked eye astronomers, viewed this moment as consequential.

CALENDAR SHUFFLE

Why is this even important? If the Maya code had not been deciphered a few decades ago, we wouldn't even have known that an end date to the Long Count calendar existed.

In researching the Maya end date, I realized that converting both Julian and Gregorian calendars to the Maya calendar had been no easy task. Spanish speaking priests were used for the conversion and needed to interact with the Maya who had their own language. Not only was there room for error in language differences, but the Julian calendar had gone through several trial runs over the centuries as the world coped with a one-time-fits-all calendar system.

During the conversion, some countries used different calendar renditions simultaneously, and some time in the 1500s while trying to play catch-up, eleven days were lost in a single month. My overall impression: whoever had been relegated to configure dates from Julian to Gregorian to Maya had stared down an impossible undertaking. And furthermore, who was their fact checker?

RIGOBERTA MENCHÚ CHEN

As the end date blossomed into a full-on media phenomenon, I took a wider view of the "Maya prophecy" as it came to be known. Great change doesn't happen overnight and can span decades or even centuries, and as with all things Maya, the present is determined by the past. Everything repeats. Everything is a recurring pattern.

Rigoberta Menchú Tum, Nobel Laureate

In 2012 Nobel laureate and author Rigoberto Menchú Tum, a Ki'che' Maya from Guatemala who was forced to leave her country when her government disappeared thousands of indigenous Maya, said this, "There are a lot of people speaking for the Maya with little respect for the sacred Maya calendar or the culture.

TIME DOES NOT EXIST

"For us, the Maya, during this phase, time does not exist. Time is completely dispersed. It is 'disordered time,' when the greatest breakdown of humanity will occur, plagued by loneliness, stress and fear.

"The Maya elders say if we do not take right action today, one-quarter of the people of the earth will perish."

Tum said this in 2012. Flash forward to 2020—especially the "plagued by loneliness, stress and fear" part of her quote and we can cast her as a Cassandra-like figure in light of the Covid pandemic. And we can all agree that in the past several years numerous issues have caused hardship: floods, hurricanes, raging fires, wars, racial inequality and unwarranted deaths. The stark reality of all the above drives away any hope for a soon to be bright future.

A MOMENT OF CHAOS

Maya Renaissance film by PeaceJam

In a documentary film, 2012: The True Mayan Prophecy, Dawn Engle and Ivan Suvanjieff, film makers and founders of the non-profit PeaceJam, interviewed Maya elders along with Menchú Tum. In the interview, Menchú Tum said we're living in a moment of chaos, and though there is global disorder, 2012 would usher in a more balanced period, if only we allow it.

DISORDERED TIME

"A new time is drawing near so it is important to maintain the light shining in these days, and our personal and collective light," she said. "We are passing through a period of disordered time which began in 1992 and will last forty years. There are things that happened that are not merely caused by people. It is the age, the energy, the cosmos."

TRANSITION TAKES TIME

In the film, Menchú Tum references her spiritual advisors, Maria Faviana Chocoy Alva and Pedro Celestino Pac Noy, who state that apocalyptic predictions misrepresent the true meaning of the end of the Maya Long Count cycle known as the thirteenth baktun. Their position is that this would be a time of great transition.

Calendar cycle cogs (By DK)

Who cannot agree that this is a time of transition, said Menchú Tum. "For humanity, it is the darkest of times. Humanity is being called to a great respon-sibility, affected by our actions. We call them natural disasters but they are not natural. Much pain is already occurring."

Again, Menchú Tum's sagacious predictions are synonymous with what we are presently living with—the human pain endured by the Covid pandemic, the earth's pain due to our disconnect from Mother Nature, and the atrocities humans have unleashed on the planet. Time, as the Maya might say, will tell.

                         **************

If you enjoyed this post, check out my other works, Where the Sky is Born: Living in the Land of the Maya. It's available on Amazon with tales of expat life and living within 100 miles of four major pyramid sites. Also, check out my website at www.jeaninekitchel.com. Books one and two in my Mexico cartel trilogy, Wheels Up—A Novel of Drugs, Cartels and Survival, and Tulum Takedown, are available on Amazon where you can find my overview of the 2012 Maya calendar phenomenon, Maya 2012 Revealed—Demystifying the Prophecy.