Ek Balam Gateway to the Underworld (En-Yucatan Travel) |
Jeanine Kitchel writes about Mexico, the Maya and the Yucatán. Her travel memoir, Where the Sky is Born: Living in the Land of the Maya, details how she bought land and built a house in a small fishing village on the Mexican Caribbean coast. Her debut novel, a narco lit thriller, Wheels Up—A Novel of Drugs, Cartels and Survival, is available on Amazon as is book 2 in the trilogy, Tulum Takedown.
Sunday, April 18, 2021
DAY TRIPPING TO THE MUST-SEE MAGNIFICENT MAYA PYRAMIDS AT EK BALAM
Saturday, April 3, 2021
WHY WAS FRANK LLOYD WRIGHT OBSESSED WITH THE MAYA?
Frank Lloyd Wright, considered by many to be the greatest architect of all time, never attended a formal architectural school. Wielding an avant-garde edge, he thought of interior and exterior places as one. This concept extended to his building forms and construction methods. Wright's signature on a certain type of architecture became not only an embellishment but a trademark.
During a career that spanned 70 years, he designed over 1000 structures, created in harmony with humanity and the environment in a philosophy he dubbed organic architecture. His early beginnings were in the midwest where he was born and raised. That too is where he began his formal career as an architect in Chicago in 1893, after moving from rural Wisconsin.
Coonley House/Prairie Style (Curbed Chicago) |
1893 WORLD'S PRE-COLUMBIAN EXPOSITION
Though it's believed that Wright never stepped foot on the Yucatán Peninsula, home to numerous Maya pyramids, when he arrived in Chicago, lore has it he was inspired by the display of Maya artifacts and replicas at the 1893 World's Pre-Columbian Exposition in Chicago. It was there he glimpsed plaster castings from major Maya sites, Chichen Itza and Uxmal. A feature of the lesser known Labna site, in the Pu'uc Region in southern Yucatán, became important to his work due to his recurring use of its meaningful arch.
Nunnery Quadrange, Uxmal site (Archeology.eu) |
Wright's interest in the Maya was piqued early on, from childhood. He was drawn to the Maya world when his mother showed him pictures in books about Central America and Mexico."Those images stayed in his mind most of his life," said Thomas Hines, UCLA architectural historian.
INCIDENTS OF TRAVEL BEST SELLER
Las Monjas, Chichen Itzá (Frederick Catherwood) |
In the 1840s, two books about Central America archeology became best sellers: Incidents of Travel in Central America, Chiapas and Yucatán, and Incidents of Travel in Yucatán, Part 2, by explorer John Lloyd Stephens and British artist Frederick Catherwood. The 1893 exposition's display of the ancient Americas lauded the indigenous people who first called this continent home. It was one of Stephens' books that drew Wright into the world of the Maya.
GOLDEN DOORWAY
Wright and his employer, Louis Sullivan, had contributed a monumental golden doorway for the Transportation Building at the fair and during his many visits to check on it, Wright would have seen Stephens' casts and photos of the Maya buildings. Both he and his employer were drawn to the style which would eventually be known as Mayan Revival; they both distained the European Neo-classical style that dominated other buildings at the expo.
Golden Doorway for Transportation Building |
Eventually Wright broke from his employer and established his own firm in Oak Park, Illinois, where he designed numerous commissions, gaining ground and at times notoriety with many well-heeled clients. By this time he was married. With his wife, Catherine, and their six children, he settled into a white picket fence existence.
Edwin and Mamah Cheney house (compositiondelascasa.com) |
TALIESIN
Love and happiness, however, were short lived. At a nearly completed Taliesin in 1914, his lover Mamah Bothwick Cheney was murdered by a household staff member along with her two children and five others. After the heinous massacre, Wright sought solace far from the midwest. Los Angeles, known as a place for reinvention and recuperation, beckoned. He headed west.
Mamah Borthwick Cheney (history.com) |
Though the displays were based on a Maya fantasy world, they cemented the Maya link between architecture and death, "Which was not only the setting for a fantastic pyramid palace but also for human sacrifice; part of the complexes displayed where humans were buried."
WRIGHT IN LOS ANGELES
"A place where the living could communicate and remember the dead," said Hines. "And after the loss of his lover, Mamah Cheney, death was much on the architect's mind. The exceptional architectural style of the Maya sites must have greatly intrigued him, for it was an outsized influence on his Los Angeles architectural style," continued the UCLA historian.
A.D. German Warehouse (franklloydwright.org) |
Prior to his exodus to LA, Wright tried out his Mayan Revival style on a Richland, Wisconsin commission in 1915, —the A.D. German Warehouse. On completion, the site hardly looked like something that would house the wares of a green grocer in a small Wisconsin town—it more resembled a temple pulled from a Catherwood drawing of the Maya Nunnery at Uxmal.
This commission helped test the Maya motif that would become the basis of his residential work in Los Angeles. On completing Wisconsin, he accepted an offer to design the Imperial Hotel in Japan.
Hollyhock House (photo Curbed LA) |
MAYAN REVIVAL STYLE
Today five iconic LA houses render his Maya look. While constructing the first, Hollyhock House, he worked simultaneously in Japan on the Imperial Hotel which helped shape his vision as an architect.
Though the houses Wright designed in Los Angeles pre-dated the Art Deco movement that began in the 1920s, they have the undeniable air of deco. We'll never know if Wright influenced the movement or vice versa. And though the Mayan Revival style itself had begun at the turn of the 20th century, its popularity accelerated once Wright got on board. This style is most notably seen in his Southern California open-concept layouts built from concrete stackable blocks molded with local materials and natural color schemes, and stamped with bold geometric motifs.
Hollyhock House, his first LA commission, was completed in 1921 for oil heiress Aline Barnsdall who had purchased 36 acres on the eastern edge of Hollywood. Wright's finished design was above all a Maya temple. Barnsdall had planned on a multi-arts center, and never intended it for residential use.
The hearth at Hollyhock House (photo Curbed LA) |
HOLLYHOCK PLUS FOUR
With its 17 rooms and seven baths, it's often noted as a bridge of Wright's two prominent styles: Mayan Revival, with textile blocks inspired by temples from Palenque, and Prairie Style, with its low-pitched roof line.
In 1927 she gifted it to the city. But it was at Hollyhock House, named for the flower that Barnsdall most loved, where Wright began working with natural materials.
A "cultural nationalist," according to leading Wright authority Kathryn Smith, Los Angeles, he strove to define an original American architecture and shied away from Victorian and Spanish colonial styles. Though of Welsh origin, he believed an indigenous architectural style would better suit the Americas rather than a European style architecture.
Kathryn Smith said he sought out traditional materials on the lands where he was building, making the concrete blocks from sand and granite, stamping them with motifs resembling Maya symbols. His open concept layout led to massive rooms and enormously high ceilings, in some cases creating the feeling of a mausoleum, as people who actually lived in his houses had been known to say.
Next came the Alice Millard commission on one acre in Pasadena, La Miniatura. This is where he truly refined the concrete molecular block system, with his stamped Maya patterns. Flat-roofed and mysterious, a wall of blocks stamped with equi-distant diametric crosses greets one at the property's edge. One historian said the cross is a reference to the MesoAmerican understanding of the cardinal directions, pointing to the cardinal elements that establish the shape of the universe. Some called the Millard House a small temple in a eucalyptus grove.
The Millard House |
The placement of the house is in a ravine, with two towering eucalyptus trees standing nearby, and gives the feel of being at a jungle pyramid site, much like Palenque.
After the Millard commission came the Storer House in 1923. Built on a steep hillside, the house is dominated by a large upstairs living room with a high ceiling. Maya inspired columns and tall narrow windows dominate. It's believed that this house was built on spec. It was owned by Joel Silver, Hollywood producer, from 1984 until 2002. He gave it a thoughtful renovation including a pool that had been in the original plans. Brendan Gill, one of Wright's most thoughtful biographers, said it was more like a home for a Mayan god.
The Storer House (Californiahomedesigns.com) |
Probably the best known FLW house in Los Angeles is the Ennis House, built also in 1923, for Charles and Mabel Ennis. It very much appears to be another Maya grand palace, but the Ennis' insisted that Wright incorporate some of their desires into his design. Notably seen in a handful of movies—Blade Runner, Day of the Locust, The House on Haunted Hill—it overpowers the environment and looms over the neighborhood like an ancient ruin, visible for miles around.
The Ennis House (TripSavvy.com) |
Gravestone for Mamah Borthwick Cheney in Spring Green, Wisconsin |
Saturday, March 20, 2021
WHAT IS THE EQUINOX?
Friday, March 5, 2021
HOW MEXICO'S YUCATÁN SINKHOLES AND UNDERGROUND RIVERS WERE FORMED
Photo MexicanCaribbeanTravel |
CENOTES
PART 2
The Yucatán Peninsula emerged 65 million years ago as a vast coral reef according to geologists. As the oceans receded, mollusks died, creating the limestone shelf that now covers the Peninsula's porous land. Rain waters filtered down into the substructure and created underground rivers. After the last ice age, the oceans rose to their current levels and flooded the caves left by the lacy limestone shelves, collapsing some, creating sinkholes, commonly known as cenotes in Yucatán. Though not unique to the Yucatán, cenotes are fairly uncommon geological formations, and they can vary considerably in shape and size.
Although cenotes are plentiful in the Yucatán, with thousands known, exploring them is a fairly new phenomenon. In the 1980s, geologists identified 21 variations and have since narrowed these down to five basic types: open air, angled wall, vertical wall as at Chichen Itza, cavern pool with stalactites, and underground domed.
Some cenotes have small surface openings but unfold into an intricate cave system that can literally run for miles. This cenote type is popular with cave divers and tackled by professionals like diver Mike Madden, formerly of Puerto Morelos. Madden did some of the first explorations near Tulum, Quintana Roo, under the auspices of CEDAM (Club de Exploraciones y Deportes Acuaticos de Mexico) earning a spot in the 1988 Guinness Book of World Records for documenting the world's longest underwater cave system—168,400 feet in all—called Giant Birdhouse or in Mayan, Nohoch Nah Chich. Madden's explorations proved that an intricate series of meandering underground waterways exists, connecting cenote to cenote.
Considered an extreme sport, cave diving is gaining popularity and it's not uncommon to bump into serious divers on Yucatán's cenote route.
In colonial Valladolid, 28 miles east of Chichen Itza, Cenote Zaci can be found. A cavern pool 150 feet wide, its turquoise waters show off stalactites and there is a walkway around the entire cenote, to better view the massive pool. An adjoining restaurant lights up the area at night for diners who can either eat inside or on an expansive deck overlooking the fresh water pool.
MOST PHOTOGRAPHED CENOTE
Four miles south of Valladolid off a narrow, two-lane road is Centoe Dzitnup. An underground cenote with angled walls, it has a hole in its ceiling where sunlight streams in at mid-day. Tree roots stretch down from the rocky ceiling to reach the clear, still waters below. One of the most photographed of Yucatán's cenotes, a steep slippery descent leads one into this underground cavern.
Ten miles north of Merida, Yucatán's capital made famous for manufacturing Panama hats at the turn of the 20th century, Xlacah Cenote can be found at the Dzibilchaltun ruins. A popular cooling off spot, this open air cenote is not connected to any underground pools and seems more like a local swimming hole than a cenote.
Leaving Yucatán and entering Riviera Maya territory, cenotes dot Highway 307 south of Playa del Carmen, 42 miles from Cancun. Dos Ojos, south of Playa, was the site of the Amazing Caves IMAX diving film. The film shows stunning footage of underground caverns with stalactites and stalagmites, and was the highest grossing giant screen documentary film of 2001. Well worth a watch.
Aktun-Chen combines both a cenote and the area's largest caves within a massive rainforest park, ten miles north of the Tulum pyramids. A bit further south at the Coba pyramid turnoff, Car Wash Cenote is located on a road dotted with sinkholes. A wide pool, unspectacular at first sight but good for swimming, Car Wash opens into an underwater cave where freshwater tropical fish cruise alongside turtles.
Heading south to Belize, Cenote Azul is located in Bacalar, 25 miles north of QRoo's capitol, Chetumal. Situated near Bacalar's famous Lagoon of the Seven Colors, the second largest fresh water lake in Mexico, Cenote Azul is Mexico's largest cenote. Stretching 600 feet in diameter, this stunning turquoise-colored cenote is a perfect spot for a swim.
This vast peninsula, comprised of low scrub jungles and knockout white sand beaches, was considered "the most savage coast in Central America" only 60 years ago. No paved road existed in Quintana Roo, now home to Cancun, which was then just a territory.
It would not become Mexico's 31st state until 1973. Trying hard to overturn their mediocre at best ecological record, the Mexico government established the 1.3 million acre Sian Kaan Biosphere Reserve in 1986 in Quintana Roo, in hopes of preserving this outstanding piece of Mother Nature.
Friday, February 19, 2021
MEXICO'S MARVELS—CENOTES OF THE YUCATAN
Cenote in Yucatan |
Tangled green vines brush against my face as I trek behind our guide deeper into the low-lying Yucatan jungle. The narrow, gnarly path—recently cut by machete—oozes damp, musty smells.
It is July, rainy season in Mexico, and temperatures are in the nineties, a veritable heat wave. We’re in search of a cenote, a clear fresh water pool, also known as a sinkhole here in the Yucatan, a place the Maya named Sian Ka'an or Where the Sky is Born.
Although the Maya used these ancient wells as their water source in an arid land that offered few rivers, our search is for recreational purposes. We plan to cool off in the cenote’s crystal waters, to swim and maybe snorkel.
Traipsing through thick forest growth alongside a mangrove swamp, little did I realize this jungle spot forty miles south of Cancun and just seven miles north of Playa del Carmen (Tres Rios) would many years later become a major resort. With a wave of the hand, our guide motions us to follow.
We ford the stream behind him and into a clearing. Now surrounded by brilliant green foliage, the scene becomes a primeval forest. The clarity of the cenote is beyond comparison. Gazing into it I see mangrove tree trunks reaching up from the pool’s bottom, breaking the waterline and stretching high into the tropical sky.
Cenotes are plentiful in this part of Mexico and have become a favorite tourist attraction as vacationers discover they’re an ideal place to cool off in the sultry climate of the Riviera Maya. Nearly five hundred are known to exist in the Northeastern Yucatan where Maya civilization flourished for 3500 years from 2000 BC to 1521 AD.
Cenote Bang by USGS.gov |
To the Maya, a culture made great by ruling dynasties and strong religious beliefs, cenotes were more than just a water source. The Maya believed cenotes were the sacred entrance to the underworld of spirits where Chaac, the rain god, lived. On a parched peninsula, Chaac ruled in a long line of spiritual dieties. Water is life.
Of the Yucatan’s numerous cenotes, perhaps best known is the Sacred Cenote at Chichen Itza, a ceremonial center known for towering pyramids and spring and fall equinox displays of shadow and light. The vertical wall cenote has a diameter of 160 feet and measures 60 feet from its lip to the water surface below. Made famous by archeological explorer Edward H. Thompson, this well brought forth its diabolic history when Thompson dredged it in 1904.
Thompson knew Maya life intertwined agriculture, religion and water. Due to agricultural needs to feed a burgeoning population, the Maya calendar was developed to determine auspicious dates for planting and harvesting. Thompson also knew the calendar was interpreted by the priests, but as their promises failed to bring rain, he’d heard human sacrifices were thrown into the cenote to appease Chaac. He was also positive that along with the maidens, other offerings would also have been made.
The Boston explorer tested his theory by creating a diving aparatus and taking diving lessons, hiring a Greek diver to assist him, traveled to Boston to buy a derrick and thirty-foot boom, designed his own diving apparatus, and shipped it all to the Yucatan.
Edward H. Thompson (photo americanegypt.com) |
On his return, he dove and dredged the Sacred Cenote daily. Finally, about six weeks in, he came up with gold and copper discs, figures of Maya gods and the clincher, human skeletons. His exploration of the cenote proved that human sacrifice was indeed a part of Maya life, with human sacrifice hopefully giving them access to the rain god and his whims.
Chicen Itza's cenote is but one of many in the Yucatan. Part 2 will explore how cenotes were formed and give details on some of the more popular ones on the Peninsula. Stay tuned.
For more information on the Maya, Mexico and the Yucatan, check out my website, www.jeaninekitchel.com. My travel memoir, Where the Sky is Born: Living in the Land of the Maya, is available on Amazon.com. Also on Amazon, are books one and two in my Mexico cartel thriller trilogy, Wheels Up—A Novel of Drugs, Cartels and Survival, and Tulum Takedown. Subscribe to my blog above for my writings on Mexico and the Maya.